The Wine Savant: A Guide to the New Wine Culture

The Wine Savant: A Guide to the New Wine Culture by Michael Steinberger Page B

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Authors: Michael Steinberger
Tags: Cooking, Beverages, wine
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huge loss of business over the past fifteen years, and their competitive position would probably be helped by allowing lower-priced wines to be sold by grape names.
    But even though imported wines can be intimidating, there is actually an easy, almost fail-safe way to find good ones: flip the bottle around and see who imported it. Importers have played a central, even defining role in the emergence and growth of American wine culture. Combining impeccable taste with evangelical zeal, people such as Kermit Lynch, Robert Chadderdon, Robert Haas, and Terry Theise have not only introduced Americans to many of the greatest wines that Europe has to offer; they have also helped cultivate several generations of palates. But the wine world has broadened dramatically in the decades since these importers started out; entire regions—entire countries—that produced mostly rotgut twenty years ago are now making respectable wines. Amid this global quality revolution, a number of newer importers are continuing the work started by Lynch, Chadderdon, and their generation and are scouring the Languedoc, Galicia, Sicily, Mendoza, and McLaren Vale for tomorrow’s star winemakers.
    Here is a list of importers whose wines can be counted on to deliver pleasure:
    AUSTRALIA
    Epicurean Wines
    Old Bridge Cellars
    The Australian Premium Wine Collection
    AUSTRIA
    Winemonger
    Monika Caha Selections
    FRANCE
    Kermit Lynch Wine Merchant
    Alain Junguenet/Wines of France
    Becky Wasserman Selections
    Robert Kacher Selections
    Dan Kravitz/Hand Picked Selections
    Jenny & François Selections
    Jon-David Headrick Selections
    Roy Cloud/Vintage ’59 Imports
    Martine’s Wines
    FRANCE/GERMANY/AUSTRIA
    Savio Soares Selections
    FRANCE/ITALY
    Rosenthal Wine Merchant
    FRANCE/ITALY/SPAIN/GERMANY
    Louis/Dressner Selections
    GERMANY
    Rudi Wiest Selections
    GERMANY/AUSTRIA/CHAMPAGNE
    Terry Theise Estate Selections
    ITALY
    Marc de Grazia Selections
    Leonardo LoCascio/Winebow
    Neil Empson Selections
    Vias Imports
    Domaine Select Wine Estates
    SPAIN
    José Pastor Selections
    De Maison Selections
    Gerry Dawes Selections—the Spanish Artisan Wine Group
    Jorge Ordóñez
    Olé Imports
    Grapes of Spain
    SPAIN/FRANCE
    Eric Solomon/European Cellars
    EVERYWHERE
    Michael Skurnik Wines
    Polaner Selections
    Vineyard Brands
    Kysela Père et Fils
    Weygandt-Metzler
    C OLLECTING W INE
    People collect wines for two reasons: so they can drink them at a later date and so they can sell them for a profit at a later date. Wine investing can take different forms. Collectors will sometimes buy two cases of a wine, intending to sell one of them for a tidy profit so they can drink the other one effectively for free. But some people buy wine purely for investment purposes; in fact, some wine investment funds are now available to “high net worth” individuals, as they are known. (Wine is what’s referred to by financial wizards as an “alternative asset class.” Nothing like Wall Street jargon to drain the romance out of something.) These funds invest in blue-chip wines—mostly top-growth Bordeaux—and pay out investors in cash; the wines are never actually consumed. It is no surprise that people have started wine investment funds: over the past thirty years, wines such as the 1982 Château Pétrus have delivered amazing returns. However, those huge returns are probably a thing of the past, and wine speculation, if not exactly immoral, is certainly antithetical to what wine is all about.
    If people wish to buy Pétrus purely for investment purposes, that’s certainly their prerogative—and I have the right to belittle the practice. Sure, wine is a business. But it is also a beverage, meant to be drunk. Hemingway once said that wine is “the most civilized thing in the world,” and he was right. To reduce wine to a mere commodity, to see it as no different from pork bellies or gold bars, strikes me as completely counter to

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