to the door I was surprised to see Deoch wasn’t there. In his place was a short, grim man with a thick neck. He held out a hand. “That’ll be a jot, young sir.”
“Sorry,” I moved the strap of my lute case out of the way and showed him the small set of silver pipes pinned to my cloak. I gestured to Wil, Sim, and Manet. “They’re with me.”
He squinted at the pipes suspiciously. “You look awfully young,” he said, his eyes darting back to my face.
“I am awfully young,” I said easily. “It’s part of my charm.”
“Awfully young to have your pipes,” he clarified, making it a reasonably polite accusation.
I hesitated. While I looked old for my age, that meant I looked a few years better than my actual fifteen. To the best of my knowledge, I was the youngest musician at the Eolian. Normally this worked in my favor, as it made me a bit of a novelty. But now . . .
Before I could think of anything to say, a voice came from the line behind us. “It’s not a fake, Kett.” A tall woman carrying a fiddle case nodded at me. “He earned his pipes while you were away. He’s the real thing.”
“Thanks Marie,” I said as the doorman gestured us inside.
The four of us found a table near the back wall with a good view of the stage. I scanned the nearby faces and staved off a familiar flicker of disappointment when Denna was nowhere to be seen.
“What was that business at the door?” Manet asked as he looked around, taking in the stage, the high, vaulted ceiling. “Were people paying to get in here?”
I looked at him. “You’ve been a student for thirty years, but never been to the Eolian?”
“Well, you know.” He made a vague gesture. “I’ve been busy. I don’t get over to this side of the river very often.”
Sim laughed, sitting down. “Let me put this in terms you’ll understand, Manet. If music had a University, this would be it, and Kvothe would be a full-fledged arcanist.”
“Bad analogy,” Wil said. “This is a musical court, and Kvothe is one of the gentry. We ride his coattails in. It is the reason we have tolerated his troublesome company for so long.”
“A whole jot just to get in?” Manet asked.
I nodded.
Manet gave a noncommittal grunt as he looked around, eyeing the well-dressed nobles milling on the balcony above. “Well then,” he said. “I guess I learned something today.”
The Eolian was just beginning to fill up, so we passed the time playing corners. It was just a friendly game, a drab a hand, double for a counterfeit, but coin-poor as I was, any stakes were high. Luckily, Manet played with the precision of a gear-clock: no mislaid tricks, no wild bids, no hunches.
Simmon bought the first round of drinks, and Manet bought the second. By the time the Eolian’s lights dimmed, Manet and I were ten hands ahead, largely due to Simmon’s tendency to enthusiastically overbid. I pocketed the single copper jot with grim satisfaction. One talent and four .
An older man made his way up onto the stage. After a brief introduction by Stanchion he played a heart-achingly lovely version of “Taetn’s Late Day” on mandolin. His fingers were light and quick and sure on his strings. But his voice . . .
Most things fail with age. Our hands and backs stiffen. Our eyes dim. Skin roughens and our beauty fades. The only exception is the voice. Properly cared for, a voice does nothing but grow sweeter with age and constant use. His was like a sweet honey wine. He finished his song to hearty applause, and after a moment the lights came back up and the room swelled with conversation.
“There’s breaks between the performers,” I explained to Manet. “So folk can talk and walk around and get their drinks. Tehlu and all his angels won’t be able to keep you safe if you talk during someone’s performance.”
Manet huffed. “Don’t worry about me embarrassing you. I’m not a complete barbarian.”
“Just giving fair warning,” I said. “You let me know
“Sorry,” I moved the strap of my lute case out of the way and showed him the small set of silver pipes pinned to my cloak. I gestured to Wil, Sim, and Manet. “They’re with me.”
He squinted at the pipes suspiciously. “You look awfully young,” he said, his eyes darting back to my face.
“I am awfully young,” I said easily. “It’s part of my charm.”
“Awfully young to have your pipes,” he clarified, making it a reasonably polite accusation.
I hesitated. While I looked old for my age, that meant I looked a few years better than my actual fifteen. To the best of my knowledge, I was the youngest musician at the Eolian. Normally this worked in my favor, as it made me a bit of a novelty. But now . . .
Before I could think of anything to say, a voice came from the line behind us. “It’s not a fake, Kett.” A tall woman carrying a fiddle case nodded at me. “He earned his pipes while you were away. He’s the real thing.”
“Thanks Marie,” I said as the doorman gestured us inside.
The four of us found a table near the back wall with a good view of the stage. I scanned the nearby faces and staved off a familiar flicker of disappointment when Denna was nowhere to be seen.
“What was that business at the door?” Manet asked as he looked around, taking in the stage, the high, vaulted ceiling. “Were people paying to get in here?”
I looked at him. “You’ve been a student for thirty years, but never been to the Eolian?”
“Well, you know.” He made a vague gesture. “I’ve been busy. I don’t get over to this side of the river very often.”
Sim laughed, sitting down. “Let me put this in terms you’ll understand, Manet. If music had a University, this would be it, and Kvothe would be a full-fledged arcanist.”
“Bad analogy,” Wil said. “This is a musical court, and Kvothe is one of the gentry. We ride his coattails in. It is the reason we have tolerated his troublesome company for so long.”
“A whole jot just to get in?” Manet asked.
I nodded.
Manet gave a noncommittal grunt as he looked around, eyeing the well-dressed nobles milling on the balcony above. “Well then,” he said. “I guess I learned something today.”
The Eolian was just beginning to fill up, so we passed the time playing corners. It was just a friendly game, a drab a hand, double for a counterfeit, but coin-poor as I was, any stakes were high. Luckily, Manet played with the precision of a gear-clock: no mislaid tricks, no wild bids, no hunches.
Simmon bought the first round of drinks, and Manet bought the second. By the time the Eolian’s lights dimmed, Manet and I were ten hands ahead, largely due to Simmon’s tendency to enthusiastically overbid. I pocketed the single copper jot with grim satisfaction. One talent and four .
An older man made his way up onto the stage. After a brief introduction by Stanchion he played a heart-achingly lovely version of “Taetn’s Late Day” on mandolin. His fingers were light and quick and sure on his strings. But his voice . . .
Most things fail with age. Our hands and backs stiffen. Our eyes dim. Skin roughens and our beauty fades. The only exception is the voice. Properly cared for, a voice does nothing but grow sweeter with age and constant use. His was like a sweet honey wine. He finished his song to hearty applause, and after a moment the lights came back up and the room swelled with conversation.
“There’s breaks between the performers,” I explained to Manet. “So folk can talk and walk around and get their drinks. Tehlu and all his angels won’t be able to keep you safe if you talk during someone’s performance.”
Manet huffed. “Don’t worry about me embarrassing you. I’m not a complete barbarian.”
“Just giving fair warning,” I said. “You let me know
Similar Books
