return immediately, and Müller offered to help, but warned that Polish men of Jan's age weren't safe on the roads. The best plan, he suggested, was to arrest Jan and drive to Warsaw with him as a prisoner; and despite their past cordiality, Jan worried if Müller could be trusted. But, true to his word, Müller returned when Warsaw surrendered and drove Jan as deep into the city as he dared. Hoping to meet in happier days, they said goodbye, and Jan slid through the ruins of the city, wondering if he'd ever reach Kapucyńska Street, Antonina, and Ryś—if they were even alive. At last he found the four-story building, and when his first knock brought no response, he "nearly toppled from dread."
In the following days, Warsaw's fierce quiet grew unnerving, so Jan and Antonina decided to steal across the bridge to the zoo, this time with no shells or snipers peppering them. Several of the old keepers had also returned and taken up their usual chores as a sort of ghost brigade working in a half-massacred village where the guardhouse and quarters now were charred hills, and the workshops, elephant house, whole habitats and enclosures had also burned or collapsed. Strangest of all, many cage bars had melted into grotesque shapes that looked like the work of avant-garde welders. Jan and Antonina walked to the villa, shocked by a scene that looked even more Surrealist than before. Although the villa had survived, its tall windows were shattered by bomb blasts, and fine particles of glass lay everywhere like sand, mixed with crushed straw from when Polish soldiers had sheltered there during air raids. Everything needed fixing, especially the windows, and because panes of glass were a rare commodity, they decided to use plywood for a while, though it meant sealing themselves off even more.
But first they began a quest for wounded animals, combing the grounds, searching in even unlikely hiding places; a cheer rose whenever someone found an animal, trapped beneath debris, confused and hungry but alive. According to Antonina, many of the army's dead horses lay with swollen bellies, grinning teeth, eyes frozen wide open in fear. All the corpses needed to be buried or butchered (with antelope, deer, and horse meat distributed to the city's hungry), not something Jan and Antonina could face, so they left it to the keepers and at nightfall, exhausted and depressed, the villa uninhabitable, they returned to Kapucyńska Street.
The next day General Rommel spoke on the radio, urging Warsaw's soldiers and citizens to accept surrender with dignity and stay calm while the German army marched into their fallen city. His broadcast ended with: "I rely on the population of Warsaw, which stood bravely in its defense and displayed its profound patriotism, to accept the entry of the German forces quietly, honorably, and calmly."
"Maybe it's good news," Antonina told herself, "maybe it's peace at last and the chance to rebuild."
After a rainy morning, thick cloud banks shifted and a warm October sunlight began streaming through as German soldiers patrolled each neighborhood, filling the streets with the clop of heavy bootheels and gabble in a foreign tongue. Then different sounds filtered into the lampshade store, more sibilant and transparent: crowd voices of Polish men and women. Antonina saw "one large organism flowing slowly" downtown and people trickling out of buildings to join it.
"Where do you suppose they're heading?"
The radio told them where Hitler was preparing to review his troops, and she and Jan felt the same osmotic force tugging them outside. Everywhere Antonina looked lay destruction. In her jottings, she described "buildings guillotined by the war—their roofs gone, sitting in misshapen poses somewhere in nearby backyards. Other buildings looked sad, ripped up by bombs from top to basement." They reminded her of "people embarrassed by their wounds, looking for a way to cover the openings in their abdomens."
Next Antonina and
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