mouth shut. âHis fraternity brothers went halfway to the graves with him,â Ms. Manchester said. âBut they stayed back, respectful and scared.â
âMore like smart,â Indri whispered.
I nodded.
Ms. Manchesterâs eyes narrowed.
We both got very still.
âAfter a time, the night moved on, and the fraternity brothers fell asleep.â Ms. Manchester let us imagine that, then leaned into the flashlightâs beam again. Her voice dropped. âThe first brother woke hollering and ducking, saying he heard rifles shooting right over his head. The second woke running away from the ear-bursting boom of cannon fire. As for the thirdââ
She shifted away from the light, so far back I could only see her mouth moving.
âThe third brother said he heard something screaming . . . but it wasnât human. More like a war horse, maddened from battle, bellowing as it charged. He heard hoof beats, then theyall heard hoof beats, hammering the ground, coming straight for them, thundering down the unmarked graves, and they ran, and they ran, and they didnât look back.â
Ms. Manchester moved.
I couldnât see her face at all, just the flashlight beam blaring in a column all the way to the ceiling. When she spoke again, she was nearly whispering. We had to lean toward her to make out the words.
âCome the morning, when Brave John didnât show up at the fraternity house, his friends went looking for him, and what do you think they found?â
She waited.
Nobody said a word.
âBONES!â she cried, and we all yelped and shrieked. âBLOOD AND BONES!â
The flashlight clicked off, pitching us into total darkness. Up turned to down and down turned to up, and I almost fell backward because I couldnât figure out where I was. Indri started giggling like a psycho nutjob in a bad horror movie.
âMight have been sharp hooves that did him in,â Ms. Manchester said, each syllable slow and quiet in the cavelike nothingness. âMight have been splintering wagon wheels. And maybe, just maybe, it was the rough heels of seven hundred pairs of war boots.â
Pictures flickered to life on the cinder block walls around us. A black-and-white photo of a stone monument. An oil painting of a Civil War battle scene, complete withblood-stained grass and a sky blackened with smoke. A surreal digital picture of a Confederate officer riding a huge black stallion with devil-red eyes, its mouth wide and steaming. A graying, grainy shot of Oxfordâs town square and its courthouse, surrounded by dozens of white tents and covered wagons. The pictures faded, until only the last one remained.
âIs that real or Photoshop?â Indri whispered to me too loudly.
âReal, I think,â I told her.
The classroom lights clicked back on, blinding me as Ms. Manchester said, âThis is the only known photo of General Grantâs occupation of Oxford, Mississippi, during the Civil War.â She stood by the picture, and the gray light covered half her face. âSo yes, Indri, this picture is real, and not Photoshopped. Whatâs also real is the cemetery with seven hundred unmarked graves, and the fact that the campus closed for the Civil War because almost all the students were fighting as the University Graysâand those boys never came home.â
âWhat happened to them?â Mavis Simpson asked.
Ms. Manchester favored her with a smile. âOn the last day of the Battle of Gettysburg, the University Grays reached the farthest point in Pickettâs Charge up Cemetery Ridge and established what became known as the high water mark of the Confederacy. That achievement came at the cost of one hundred percent casualties. Every single soldier was either killed or wounded.â
My mouth came open. Indri squeezed my hand, and herbrows pulled together. She really didnât like to hear about military men getting killed in battles. I
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