interest you above-stairs, let me try below-stairs. Leopards also prowl in basements. Do not be surprised if you are given bamboo-shoots for dinner to-night. We have a Chinese cook. No good? Iâll try again. We have something in the domestic line more attractive than a Chinese cookâa very pretty maid. Name, Bessie. Delightful figure. Make a good model. But when this was suggested to her, she was filled with charming confusion.â He rose and stretched himself. âI shall waste no more time over you, Lionel. Youâre not worth it. I shall take a stroll before dressing.â
âDo,â said Bultin. âSince you canât tell me anything about the most interesting people here.â
âWho?â
âMr. and Mrs. Chater.â
âAh, the Chaters,â answered Pratt. âYes, there Iâm beaten. The little leopard knows nothing about the Chaters.â
âNor does Lord Aveling,â replied Bultin. âBut James Earnshaw does. And, unless I am reaching my dotage, the Chaters know something about James Earnshaw. Which is my bed?â
âThat one over there.â
âGood. Iâll have the other one.â
Pratt laughed and left the room. Outside he paused. Harold Taverley, the one man he had not mentioned, was entering his room opposite, and threw him a smile.
âWhy does that man always make me see red?â wondered Pratt.
He went downstairs thoughtfully.
Chapter VII
Whitewash and Paint
A narrow passage led from the back of the lounge-hall into the grounds, and as Leicester Pratt passed out into a sheltered lawn, its dark surface streaked with slits of light from upper windowsâone window being that of his bedroomâhe noticed a thin coil of smoke spiralling upwards. Then Nadine Leveridge gleamed at him out of a shadow.
She was a creature of dazzling white, softened by the deep green of her dress. Her shoulders were perfectly formed and perfectly revealed. One was tempted to envy the narrow green strips curving with such apparent insecurity over them. A double rope of pearls made a loop in front of the simple green bodice. A silk wrap, also of green, but deeper and more brilliant in hue, partially covered one shoulder.
âNadine Leveridge is Lifeâs relentless weapon,â thought Pratt. âA woman for fools to fear.â
Pratt did not fear her. He could even stand and regard her, deliberately studying her subtle challenges with the impertinent privilege of an artist.
âYouâve dressed early,â he said. She nodded. âNot afraid of the cold?â
âNot a bit.â
He felt for his cigarette-case, and found he had left it in his room.
âIâm sorry I canât oblige,â remarked Nadine. âMr. Taverley gave me this.â
She held up her cigarette. Pratt noticed that it was a State Express 555.
âDonât move for a moment,â he said. She stood motionless, her eyebrows raised a little. Only the cigarette smoke continued its movement. âThe lady with the cigarette. The lady in green. Modern Eve. Woman. Anything you damn like. When do I paint her?â
âSheâd have to pawn her pearls to pay your price,â smiled Nadine, puffing the cigarette again.
âThatâs terribly material.â
âGoes against the grain?â
Now Pratt smiled.
âYou must hate meeting pieces of wood like Bultin and me,â he observed.
âNonsenseânobodyâs wood!â retorted Nadine. âSome people build wooden walls around themselves, thatâs all. Bultin does, certainly.â
âYes, I agree. Heâs chained himself inside in case he should get out and collapse. Butâme?â
âSomething could move you.â
âWhat?â
âIâve no idea. But I couldnât. Thatâs why I donât think Iâll pawn my pearls, thank you. Any one who paints me must be an out-and-out idealist.â
âAn idealist is merely
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