day.â
âI know,â Megan says.
âI divided a whole bunch of pages for her. Enough for a couple of weeks. I drew myself coming home on the last page, so she wonât forget. Could you help her write a story a day in the bottom box of every page? When I come back, Iâll illustrate it for her.â
âSure, sweetie,â Megan says. âNo problem. And maybe you could callâcheck in every now and again. Even if she doesnât talk, Iâm sure sheâd like to hear your voice.â She laughs. âOh, who am I kidding? Iâd like to hear your voice.â
âHow about I call every other day around suppertime?â
âSounds like a plan,â Megan says. âYou ready?â
âReady as Iâll ever be.â Sid hoists his backpack over one shoulder and pulls Megan into an awkward hug with his other arm.
âOnward and upward,â Megan mumbles into his armpit.
Sid throws his backpack into the back of Miss Havisham and gets into the front seat as Phil says his goodbyes to Megan and Caleb and Fariza. Chloe hasnât spoken to Sid since he told her he was going, so she isnât here to say goodbye. He has left email and phone messages telling her heâll be back soon, but she remains as silent as Fariza, who is standing with one arm wrapped around Meganâs waist and the other arm clutching Fred.
âBye, Fariza,â Sid calls. âSee you soon. Donât forget to draw in your book.â
He waves jauntily at her, trying to look cheerful rather than upset. She gives him a small smile and then buries her face in Meganâs side. He feels like the worst person in the world. Selfish. Inconsiderate. Foolish. But also excited. And more than a little anxious.
âReady?â Phil slides into the driverâs seat and puts on his sunglasses.
Sid nods, and Phil backs out of the driveway. Sid doesnât look back. He is silent on the ride to the ferry. He stays in the car when they get on board, while Phil goes up to the passenger lounge. Sid shuts his eyes and slumps down in the seat. He doesnât want to see the familiar scenery slip by: the red wharf, the white fish boats, the green islet in the cove, the blue water, the ferryâs frothy wake. He doesnât want to hear the squeak of the ferry against the pilings, the clang of the ramp coming up, the casual chatter between passengers as they make their way upstairs. Thereâs a great audio system in the car. Maybe he should dig out his iPod and plug it in. Philâs iPod is sitting in the well between the seats. Between them, they probably have more than enough music for the five-hour trip. Sid prays that Phil isnât a fan of either Dixieland or disco. Anything else he can stand, although he wonders how Phil feels about Foo Fighters or Mother Mother.
As they near the other side, Phil returns to the car and they sit in silence, waiting for the ramp to come down and connect them to the next part of their journey.
âYou go to Victoria very often?â Phil asks.
âNope,â Sid says. âUsually Vancouver. Megan likes Ikea.â
Phil laughs. âWho doesnât?â
âMe,â Sid says. âToo crowded. Too noisy.â
âGotcha.â Phil is silent for a few minutes, but as they reach the turnoff to the highway, he says, âYou always such a hard-ass?â
Sid laughs. âYou think Iâm a hard-ass?â No one has ever called him anything like that.
âWell, arenât you? The silent treatmentâs pretty harsh.â
âItâs not meant to be,â Sid says, although this is a bit of a lie. He really doesnât want to talk to Phil. Phil is the messenger, and Sid still isnât sure whether to shoot him or welcome him. âItâs not personal. Iâm just not much of a talker.â No way heâs going to tell Phil that he feels like heâs going to puke.
âI got that.â Phil shoots
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