choose, but not a commander. Part of being a commander was that you took the rap.
The cubicle darkened as night descended. From outside came the purr of a generator providing the plantation with electricity. Bolan continued sitting, waiting for the footsteps that would announce their coming. They would come for him soon, he knew that. They would not wait for the psychological hour, not when they saw those sketches in his haversack. That would make them want to talk to him right away. And when he refused to answer they would bring out the sock, a sock filled with sand and applied to the side of the head. Nark said that was their favorite tool. Bolan was familiar with the sock. The experience was similar to a dentist's drill striking a nerve, except that the pain was multiplied over the entire nervous system. Still, he would rather have the sock than the water bath or electricity any day.
From outside the grille came the scent of wood smoke. Bolan's mouth watered. Wood meant cooking, and Bolan had not eaten since they set out for the attack on the pagoda. Visions of wonderful dishes floated through his brain, and bit by bit his head lowered, lulled by the rasping of cicadas outside. The rasping turned to music, he was in a ballroom, the buffet table was loaded with dishes...
The sound of the bar being withdrawn brought him to his senses. The door opened and a torch shone. By its light he could see pointing muzzles. The torch and the muzzles advanced. A muzzle rose to his face and pressed into his cheek while hands grabbed his arms and steel went around his wrists followed by clicks. A cord went around his neck, and they led him out into the night. The air was warm, heavy with the scent of frangipani, and the moon was shining. As they passed the back of the plantation house he heard music and laughter. But for Bolan, there was no escaping his fate. Not yet, anyway.
They led him through a banana grove. On the other side was a villa. They went up the stone steps and entered a large room with a stone floor that echoed as they walked. The villa was dark and empty except for a table at the far end, lit by a low-hanging lamp with a large shade. The scene was straight out of a gangster movie, except that instead of a hood or cop at the table there was a tall Oriental man with a gaunt face wearing a mustard-colored camouflage uniform. As his eyes adjusted to the gloom, Bolan noticed several more soldiers on a bench by the wall. He guessed these were the muscle boys.
The interrogator was reading a file while smoking a cigarette that he tapped occasionally against a cut-down artillery casing that served as an ashtray. Now that he could see him better, Bolan noticed the man had a dueling scar on his face. But what Bolan noticed most were the man's hands: thin, long, manicured. A surgeon's hands.
Bad news for Mr. Bolan,
he reflected in parody of the Meo headman.
The interrogator closed the file and stubbed out his cigarette. He clasped his hands and leaned on the table. "Do you speak English?" he asked, friendly.
"Yes, I do," Bolan replied slowly.
"Good," said the interrogator as if he were really glad of an opportunity to talk to Bolan. "Now then, in your rucksack we found drawings of our main camp. What purpose would they serve?"
There was a brief silence. "I have nothing to say," Bolan said quietly.
The interrogator feigned surprise. "Is something wrong?" he asked, concern in his voice.
Bolan remained silent.
"Have you been mistreated?"
"No."
"Then why do you refuse to speak to me?" In a slightly hurt tone he added, "Surely the mark of a gentleman is that he is polite even to his enemy."
Great was the temptation to take him up on his offer, to engage in some polite talk and delay the moment of pain. Bolan fought the temptation. "I have nothing to say," he repeated quietly.
The interrogator scrutinized Bolan's face. He seemed genuinely upset by the prospect of causing Bolan pain. If the man had been an actor Bolan would
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