Time Dancers by Steve Cash Page B

however…there is something…”
    “What?”
    “I smell death.”
    I knew Opari’s instincts and “abilities” were vast and refined over millennia. She would not be mistaken and there was no more time for caution. I pushed the door open. Inside, it was a complete change from the other car. Deep shadows and occasional bars of light crisscrossed the long compartment. Over half the window shades were drawn. Blankets were bunched in most of the seats or thrown over the backrests. This was the car used for sleeping, probably because they didn’t have enough blankets for two cars.
    We walked through, glancing in every seat on both sides of the aisle. Nothing. Then I heard the bubbling sound again. It was just in front of me, in the last seat on the left. I ran the few feet remaining and turned to look in the seat. What I saw made me sick with grief and rage and broke my heart with a deep blow.
    It was Unai and Usoa. They were under a thin gray blanket. Unai was leaning against the window and Usoa was slumped in his lap. Unai looked asleep. On his head was a simple beret, the kind seen anywhere in Bilbao. He resembled my papa in his early twenties. He wore an old jacket and a white, collarless shirt underneath that was no longer white. It was drenched in crimson blood. Unai’s throat had been slashed just above the collar line, ear to ear. I couldn’t see Usoa’s face. Her throat had also been cut ear to ear, then someone turned her head at an angle and removed the lower part of her right ear, the one in which she wore the blue diamond. I bent over them to see if their backs had been carved with a rose, the Fleur-du-Mal’s signature. There was nothing on their backs, but he might not have had the time. The bubbling sound came from Usoa’s neck and the razor-thin slice across her throat.
    “Lo egin bake,” Opari said, then repeated as she leaned down to turn Usoa’s head back to a natural position. I wasn’t sure of the exact meaning of the phrase, but I knew it had something to do with sleeping in peace.
    Why? Why? It made no sense, no sense whatsoever. My mind raced. I thought back to the orphans as they stepped down from the train. I focused on every face. The kid with the knit cap and the long raincoat, the only one who kept scanning the crowd— it had to be him! Then another thought occurred to me—where was the child? Arrosa had said in her telegram the two-year-old child was with them. Even before I finished the thought, I heard the muffled breathing coming from inside the wall of the train, just three feet away, the very back of the compartment. I examined the wall and found the outline of a narrow door, cut to blend in with the tongue-and-groove of the wooden slats. I pressed in on one side and the door popped open.
    Inside, there was a small, shallow closet. Two axes were strapped against the back wall, along with a warning written in white paint: “FOR EMERGENCY USE ONLY!” Crouched on the floor directly below the warning, a boy about seven or eight years old stared up at me with brown eyes the size of half-dollars. His mouth was stuffed with what looked like a biscuit. It was wrapped in cloth and he held it there tightly with one hand, probably to keep from being heard. In his arms, he was cradling a two-year-old, and his other hand was over the child’s mouth and face. The child was lifeless with open, fixed eyes staring blankly into space, and they were neither green nor brown, but blue. The boy had most likely witnessed the murders through the crack in the wall, and in his fear and terror, he had accidentally suffocated the child while trying to save it. The boy was unaware the child was dead. He was in shock, and yet once he searched the eyes of Opari, he relaxed, releasing his grip and his own consciousness. He fell forward and I caught the dead child in my arms, just as the boy let go his hold.
    “Quickly—” Opari said without hesitation. “This boy needs our attention and