terraces below.
Suddenly, my brother shouted, âLook, down there!â
On the terrace just beneath us, where the banana trees grew, people were lying on the ground, face down, with their ponchos over their heads. They really didnât want their souls stolen, not one little bit.
âDid you take a picture?â my mother asked.
âNo,â my father said. âI didnât have time to.â
âWeâre leaving. Now.â
We all got into the car. But when we tried to drive away, the car wouldnât move.
âSomethingâs wrong,â my father said, worried.
âMaybe the Tzotzil people cast a magic spell on us,â my brother suggested.
âI think I know what it is.â
I squeezed out of the back seat. You canât be any fatter than a string of spaghetti to get in and out of a two-door rented car.
Then I went around to the front of the car and kicked the two big stones away from the tires. My mother started laughing as I got back inside. So did my brother. My father concentrated on his driving.
As we drove past the ï¬rst terrace, I saw that all the people had gotten up again, and were working in their ï¬elds. That was a close call!
At the bottom of the valley was a crossroads. One of the directions led to Chenaló. But it didnât look as though we were going to get there. Big rocks were blocking the road, and on those rocks were men wearing scarves over their faces. When we got closer, I could see that they werenât much older than I was. And they all had guns.
âChenaló?â my father asked.
â
Ustedes no pasan
,â they said. âNot for you.â
âWhy not?
Por qué?
â
They stared at us. I guess
Why?
was not a question they were used to answering. They pointed in the other direction.
âChamula,â they said.
âWere they soldiers?â my little brother asked as my father turned the car around. âThey didnât have uniforms.â
âI donât think so,â my mother told him. âI think they were ordinary people, trying to get their land back.â
âBack from who?â my brother asked.
âThe people who work on the land donât own it. And they donât always get a fair price for what they grow, like those bananas you saw. In a lot of villages, they donât even have schools or clean water. I think the guys blocking the road are trying to change that.â
My brother was quiet for a minute or two. And let me tell you, that doesnât happen very often.
And that was how we ended up visiting San Juan Chamula, another town thatâs famous for being a place where you canât take pictures. There were signs in several languages, warning people to keep their cameras in their pockets.
There did not seem to be very much to see in Chamula. We went into the church to look at the paintings. It was very dark inside, but when my eyes got used to the darkness, I could see that this church was different from other churches we had visited. Very different. First of all, the benches had been taken out, and the ï¬oor was covered with ï¬r-tree branches. The statues of the saints, that usually sit on pedestals, were standing right on the ï¬oor, along with the paintings that are usually on the walls.
People were praying to the saints so hard they didnât even notice us. They had burning candles stuck in Coke bottles in front of the statues, next to squares of chocolate and little piles of chili peppers. It wasnât like any church Iâd ever seen.
We didnât spend more than a minute in there. It felt as though we had wandered into someone elseâs house, where we didnât belong.
âDid those guys who were blocking the road change around the church, too?â my brother wondered.
âMaybe,â my mother said. âIt looks like the Indian people are taking back the church and using it in their own way, just the way they want
Martin Cruz Smith
Jayn Wilde
Becca Lusher
Brannan Black
Anna Hackett
Bobby Akart
Yvonne Eros
Sharon Hamilton
Claire Kells
Jessica Ingro