Tuesdays With Morrie
`Spiritual.' You think it's touchy-feely stuff."

    Well, I said.

    He tried to wink, a bad try, and I broke down and laughed.

    "Mitch," he said, laughing along, "even I don't know what `spiritual development' really means. But I do know we're deficient in some way. We are too involved in materialistic things, and they don't satisfy us. The loving relationships we have, the universe around us, we take these things for granted."

    He nodded toward the window with the sunshine streaming in. "You see that? You can go out there, outside, anytime. You can run up and down the block and go crazy. I can't do that. I can't go out. I can't run. I can't be out there without fear of getting sick. But you know what? I appreciate that window more than you do." Appreciate it?

    "Yes. I look out that window every day. I notice the change in the trees, how strong the wind is blowing. It's as if I can see time actually passing through that windowpane. Because I know my time is almost done, I am drawn to nature like I'm seeing it for the first time."

    He stopped, and for a moment we both just looked out the window. I tried to see what he saw. I tried to see time and seasons, my life passing in slow motion. Morrie dropped his head slightly and curled it toward his shoulder.

    "Is it today, little bird?" he asked. "Is it today?"

    Letters from around the world kept coming to Morrie, thanks to the "Nightline" appearances. He would sit, when he was up to it, and dictate the responses to friends and family who gathered for their letter-writing sessions.

    One Sunday when his sons, Rob and Jon, were home, they all gathered in the living room. Morrie sat in his wheelchair, his skinny legs under a blanket. When he got cold, one of his helpers draped a nylon jacket over his shoulders.

    "What's the first letter?" Morrie said.

    A colleague read a note from a woman named Nancy, who had lost her mother to ALS. She wrote to say how much she had suffered through the loss and how she knew that Morrie must be suffering, too.

    "All right," Morrie said when the reading was complete. He shut his eyes. "Let's start by saying, `Dear Nancy, you touched me very much with your story about your mother. And I understand what you went through. There is sadness and suffering on both parts. DRAWDEGrieving has been good for me, and I hope it has been good for you also.' "

    "You might want to change that last line," Rob said.

    Morrie thought for a second, then said, "You're right. How about `I hope you can find the healing power in grieving.' Is that better?"

    Rob nodded.

    "Add `thank you, Morrie,' " Morrie said.

    Another letter was read from a woman named Jane, who was thanking him for his inspiration on the "Nightline" program. She referred to him as a prophet.

    "That's a very high compliment," said a colleague. "A prophet."

    Morrie made a face. He obviously didn't agree with the assessment. "Let's thank her for her high praise. And tell her I'm glad my words meant something to her.

    "And don't forget to sign `Thank you, Morrie.' "

    There was a letter from a man in England who had lost his mother and asked Morrie to help him contact her through the spiritual world. There was a letter from a couple who wanted to drive to Boston to meet him. There was a long letter from a former graduate student who wrote about her life after the university. It told of a murder-suicide and three stillborn births. It told of a mother who died from ALS. It expressed fear that she, the daughter, would also contract the disease. It went on and on. Two pages. Three pages. Four pages.

    Morrie sat through the long, grim tale. When it was finally finished, he said softly, "Well, what do we answer?"

    The group was quiet. Finally, Rob said, "How about, `Thanks for your long letter?' "

    Everyone laughed. Morrie looked at his son and beamed.

    The newspaper near his chair has a photo of a Boston baseball player who is smiling after pitching a shutout. Of all the diseases, I think to

Similar Books

Ejecta

William C. Dietz

Ruby

Ashlynn Monroe

Split Just Right

Adele Griffin

Trust Me

John Updike

Love at High Tide

Christi Barth