Umami
like the Magic Eye pictures in Olmo’s book where if you just stare at the page you don’t see anything, but if you make yourself go cross-eyed you see a dinosaur.
    â€˜Trumpets! Truuumpettts!’
    I shout until my mom appears, springing out from between the trees.
    â€˜Where?’ she says.
    â€˜Kneel down,’ I say. But she only crouches down. I point and it doesn’t take long before she spots them too. They’re all over the place, the same color as the dirt. Black trumpets are the real queens of camuflash.
    Pina and Ana turn up to pick my trumpets, and I want them to go away but I don’t say anything because they are saying how good I am at this and how excellent my mask looks on me. Emma picks a few and smells them. She says we’re going to do spaghetti with black trumpets, garlic and white wine and, ‘didn’t I tell you five was a lucky number?’
    â€˜I’m a lucky peanut,’ I say.
    â€˜You’re my little truffle hog, that’s what you are,’ says Mama, and she rolls my sleeves back up.
    I don’t know what a truffle hog is, but I guess it’s a pig made out of fancy chocolate. I get up and my legs are totally brown, just like my hands and my face, and I guess that’s why she said it. I’m a chocolate-covered peanut.
    â€˜Wanna go shower?’ Grandma asks.
    â€˜Not now,’ I tell her.
    â€˜Okey dokey,’ she says.
    Ana and Pi take the trumpets to the house because in the end we’ve collected a ginormous paper bag of them. The rest of us go on walking because now Grandma wants us to find another mushroom, a chanterelle, which is yellow, but it’s not like any of the yellows that Mama has in her basket, or like my sweater, or even like the yellow of the banana slugs which she says only exist on the other coast.
    â€˜Of the lake?’ I ask.
    â€˜Of the country,’ Grandma says.
    I want to find the chanterelle. I’m going to find it. We walk. I’ve got so much mud on my knees it’s like there are two cow patties sitting on them. I like them. I like walking with the adults because they talk without whispering secrets to each other and don’t make you do anything with straws. One time, Pina and Ana tried to put a straw up my front bottom because they said that all of us women have a little hole there to make children. But they couldn’t find it, so they told me I don’t have one and that I’m never going to have children, which is fine by me because children can be so dumb and nasty with their little sisters, even when the little sisters are really nice and pretty.
    My mom picks a mushroom for her already very full basket.
    â€˜That’s a magic mushroom,’ Emma tells her.
    â€˜Really?’ I ask.
    â€˜She just means it makes you sleepy,’ says Mama.
    â€˜And giggly,’ Grandma says.
    â€˜And it makes you see things,’ says Mama.
    I say it doesn’t sound so bad, but it doesn’t sound that magic either.
    â€˜Which one is it?’ I ask, and they point to one in Emma’s hand, but they won’t let me touch it. Emma collects chestnuts and I see her putting them in her sweater pockets which are now all big and bulgy like the stockings she hangs by the chimney at Christmas when we come to see her, and which she fills with trick presents for us, like fruit and pencil sharpeners.
    â€˜Are you going to eat them?’ I ask her.
    â€˜I’m going to paint them,’ she says.
    â€˜What color?’ I ask.
    â€˜I’m not going to paint on top of them. I’m going to paint them in a still life.’
    â€˜Emma’s Pickings: A Still Life ,’ my mom says.
    â€˜A minimalist still life, this year,’ Grandma says, and they both laugh, and I laugh too so they think I get what they’re talking about, but also because it’s like a choir and if you don’t laugh it’s like you aren’t singing, and it you

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