moment before continuing. “Come on. I know where we can talk and you can get a better idea of what’s happening.”
He led the way west toward the water. I shuddered at the memory of the previous evening, but after we’d crossed First, we walked only one more block before Quinton turned right onto Post. It’s not officially designated Post Alley at the south end, but it’s not much wider than if it were. It was already dark in the narrow street between the old masonry buildings, and the picturesque red brick underfoot was crusted with dirty ice. I dug my boot soles into the uneven and ghost-strewn surface with firm steps, following Quinton through the turns of the road until we reached a poured concrete wall under the Seneca Street off-ramp from the viaduct. A three-story retaining wall held back the tumble of the hill while a wide stone staircase climbed the side of the building perpendicular to it, creating a dark half room roofed by the roadbed above us. The other side of the street held the southern loading docks and dog-walking slab for the hotel tower of the Harbor Steps complex—an area I had discovered had no active history in the pit that had been gouged into the cliff edge for its foundations. Just behind us, the rich, tilting timescape of the Grey looked like the Painted Desert done in shades of mist. Our location lay at the intersection of history and void, and I couldn’t help but stare at the contrast.
Quinton touched my shoulder and startled me out of my rapt gaping. He motioned me into the darkest corner, where the retaining wall met the back of the staircase. A shallow, bunkerlike structure of concrete slabs poked out from the retaining wall. A rusted steel door had been set into the bunker wall and sported a triangular yellow caution sign with an odd symbol of spikes and circles and the words AUTHORIZED PERSONNEL ONLY.
Quinton pulled a short cylinder—about the size of a fat pocket flashlight—from his coat and pushed it against a plate above the door’s lock. I heard something clunk and he grabbed the door handle that looked as if it shouldn’t turn, but did. The door swung in, and he stepped through into darkness and pulled me in behind him.
The door closed with the thick thud and hush of heavy rubber seals. The lock clunked again and the lights came on. We were in a small cement vestibule that opened into a larger area bounded by old walls of stone and brick. The room was cluttered with shelves and tables made of plain boards and various containers or architectural elements that must have been discarded in someone’s rebuilding scheme long ago. Electronic equipment was neatly arranged among stacks of parts, books, clothes, and canned goods. A dorm fridge hummed under one of the tables. It was like some mad scientist’s basement that had been taken over by engineering students.
A crazy collection of lights hung from wires strung between the walls to illuminate the roughly L-shaped room. The walls rose to a height of about thirty feet, and we were standing right in the corner of the L with the door behind us in the short side. A bed hid in an alcove at the long end of the L. The final wall beside the bed was built of heavy timbers held together with archaic metal straps and huge bolts—not medieval so much as Victorian gothic. It reminded me a bit of a castle’s massive gates that had smaller doors cut into them.
I stared around the place. “We’re under the sidewalk,” I said in wonder. “Or part of it . . .”
“Yeah, that wall supports the stairs,” Quinton agreed, pointing toward the bed alcove. “The wooden part blocks off the old sidewalk level.”
“You live here?”
“For about six years. The company that built the Harbor Steps put in the bunker as a temporary security box during the excavation and I . . . appropriated it when they were done, before anyone thought to remove it. I made sure the
He led the way west toward the water. I shuddered at the memory of the previous evening, but after we’d crossed First, we walked only one more block before Quinton turned right onto Post. It’s not officially designated Post Alley at the south end, but it’s not much wider than if it were. It was already dark in the narrow street between the old masonry buildings, and the picturesque red brick underfoot was crusted with dirty ice. I dug my boot soles into the uneven and ghost-strewn surface with firm steps, following Quinton through the turns of the road until we reached a poured concrete wall under the Seneca Street off-ramp from the viaduct. A three-story retaining wall held back the tumble of the hill while a wide stone staircase climbed the side of the building perpendicular to it, creating a dark half room roofed by the roadbed above us. The other side of the street held the southern loading docks and dog-walking slab for the hotel tower of the Harbor Steps complex—an area I had discovered had no active history in the pit that had been gouged into the cliff edge for its foundations. Just behind us, the rich, tilting timescape of the Grey looked like the Painted Desert done in shades of mist. Our location lay at the intersection of history and void, and I couldn’t help but stare at the contrast.
Quinton touched my shoulder and startled me out of my rapt gaping. He motioned me into the darkest corner, where the retaining wall met the back of the staircase. A shallow, bunkerlike structure of concrete slabs poked out from the retaining wall. A rusted steel door had been set into the bunker wall and sported a triangular yellow caution sign with an odd symbol of spikes and circles and the words AUTHORIZED PERSONNEL ONLY.
Quinton pulled a short cylinder—about the size of a fat pocket flashlight—from his coat and pushed it against a plate above the door’s lock. I heard something clunk and he grabbed the door handle that looked as if it shouldn’t turn, but did. The door swung in, and he stepped through into darkness and pulled me in behind him.
The door closed with the thick thud and hush of heavy rubber seals. The lock clunked again and the lights came on. We were in a small cement vestibule that opened into a larger area bounded by old walls of stone and brick. The room was cluttered with shelves and tables made of plain boards and various containers or architectural elements that must have been discarded in someone’s rebuilding scheme long ago. Electronic equipment was neatly arranged among stacks of parts, books, clothes, and canned goods. A dorm fridge hummed under one of the tables. It was like some mad scientist’s basement that had been taken over by engineering students.
A crazy collection of lights hung from wires strung between the walls to illuminate the roughly L-shaped room. The walls rose to a height of about thirty feet, and we were standing right in the corner of the L with the door behind us in the short side. A bed hid in an alcove at the long end of the L. The final wall beside the bed was built of heavy timbers held together with archaic metal straps and huge bolts—not medieval so much as Victorian gothic. It reminded me a bit of a castle’s massive gates that had smaller doors cut into them.
I stared around the place. “We’re under the sidewalk,” I said in wonder. “Or part of it . . .”
“Yeah, that wall supports the stairs,” Quinton agreed, pointing toward the bed alcove. “The wooden part blocks off the old sidewalk level.”
“You live here?”
“For about six years. The company that built the Harbor Steps put in the bunker as a temporary security box during the excavation and I . . . appropriated it when they were done, before anyone thought to remove it. I made sure the
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