into her airspace than she likes anyone to get. âIf it wasnât for me youâd be on your way to harvest camp!â he says. Risa raises a hand to push him back, but his hand shoots up faster, and he grabs her wrist before she can shove him. This is the moment Risa realizes sheâs gone too far. What does she really know about this boy? He was going to be unwound. Maybe thereâs a reason for it. Maybe a good reason.
Risa is careful not to struggle because struggling gives him the advantage. She lets her tone of voice convey all the weight. âLet go of me.â
âWhy? Exactly what do you think Iâll do to you?â
âThis is the second time youâve touched me without permission,â Risa says. Still, he does not let goâyet she does notice his grip isnât all that threatening. It isnât tight, itâs loose. It isnât rough, itâs gentle. She could easily pull out of it with a simple flick of her wrist. So why doesnât she?
Risa knows heâs doing this to make a point, but what the point is, Risa isnât sure. Is he warning her that he can hurt her if he wants to? Or maybe his message is in the gentle nature of his gripâa way of saying heâs not the hurting type.
Well, it doesnât matter, thinks Risa. Even a gentle violation is a violation.
She looks at his knee. A well-placed kick could break his kneecap.
âI could take you out in a second,â she threatens.
If heâs concerned, he doesnât show it. âI know.â
Somehow he also knows that she wonât do itâthat the first time was just a reflex. If she were to hurt him a second time, though, it would be a conscious act. It would be by choice.
âStep off,â she says. Her voice now lacks the force it had only moments before.
This time he listens and lets go, moving back to a respectable distance. They both could have hurt one another, but neither of them did. Risa isnât quite sure what that means, all she knows is that she feels angry at him for such a mixture of reasons, she canât sort them out.
Then suddenly a voice calls to them from the right. âThis is very entertaining and all, but I donât think fighting is going to help much.â
Itâs Levâand Risa realizes that her little ruse has backfired. She had set out to test him with a fake argument but the argument turned real, and in the process she completely forgot about Lev. He could have taken off, and they would not have known until he was long gone.
Risa throws Connor an evil look for good measure and the three of them continue on. It isnât until ten minutes later, when Lev goes off to relieve himself in private, that Connor talks to Risa again.
âGood one,â Connor says. âIt worked.â
âWhat?â
Connor leans closer and whispers, âThe argument. You put it on to see if Lev would run when we werenât paying attention, right?â
Risa is bowled over. âYou knew that?â
Connor looks at her, a bit amused. âWell . . . yeah.â
If Risa felt uncertain about him before, itâs even worse now. She has no idea what to think. âSo . . . everything that happened back there was all a show?â
Now itâs Connorâs turn to be unsure. âI guess. Sort of. Wasnât it?â
Risa has to hold back a smile. Suddenly sheâs feeling strangely at ease with Connor. She marvels at how that could be. If their argument had been entirely real, sheâd be on her guard against him. If it had been entirely a show sheâd be on guard too, because if he could lie so convincingly, sheâd never be able to trust him. But this was a mixture of both. It was real, it was pretend, and that combination made it all rightâit made it safe, like performing death-defying acrobatic tricks above a safety net.
She holds on to that unexpected feeling as the two of them catch up with Lev,
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