be. And sometimes they put it into the hands of the Big Slave. And sometimes, of course, they find it simpler to sell the works. And who buys it, generally? Another Big Slave, past or present. White or Black. So most of the magnates who govern this colony of hell have themselves been slaves. And of those who have spent a generation, at least, toiling at the stinking forge or the stinking dye-pots or the stinking tan-vats, one need not, must not, expect a great measure of delicacy. You will take this into account when you make your calls.”
Vergil said, “I have already made one call. One whom you mentioned — the only one whom you mentioned, the dyer Haddadius — says he has no need for such things wherein lie my skills.”
Two tables over someone, by his looks an Avernian, grunted and spread his legs and lifted his tunic and made water on the floor. No one gave it any notice. No one attempted to remedy the matter by emptying bucket or jug.
“So said Haddadius? So. No doubt he had his reasons, he — ”
Things were being pounded on the surface of another table: fists, mugs, dice-boxes, providing some arrhythmic accompaniment to the constant thuddings from the fire-fields. Vergil waited till the noise had somewhat abated. “And you, sir, no doubt have yours.” He perceived a degree of glaze upon the other’s eyes, was it drink alone? He had seen a one rather alike it on the eyes of bridegrooms; others, still akin, on the eyes of those who have been to uncheerful physicians. He spoke on. “What may your reasons have been, to send . . . or bring . . . me here by the methods which you have used . . . you alone? others? you and others? . . . methods, which, by the way, imply a measure of the same skills…. Eh? Why?”
A woman then passed by, stopped, stroked Vergil’s head once, twice, said, “How pale your face. How black your hair and beard.” He had begun, slowly, to look up, to extend his hand — too slowly. Some rough voice from another table hailed her, Vergil felt no more than his hand touch the edge of her sleeve as she moved away. He looked back to his host, who shrugged without ceasing to drink, then said, “Why? Well, in part to pique your interest. Was it piqued? Oh, so. And in part . . . well, had it been simply suggested that you come here because a contract might be obtainable, would you, considering the place and its repute? Probably not, I think. So — ”
Of a sudden the heavy doors were flung open and a man, a young man, who seemed far too slight to have done this, came in. He came in dancing, dancing he came in, and singing and clapping his hands, and he had small bells upon his hands and he had a crown upon his head. All rose and bowed. Despite the shock of the novel scene Vergil was able to concentrate attention upon the singing — it could not really have been called a song — but though now and then he made out words, and even, less often, sentences, the words together, even such of them as were not gibberish, made no sense. There was no coherency to them. There —
Vergil put his mouth close to the ear of the other man at his table.
“Who?”
“That is Cadmus.”
“Who is he?”
“He is king.”
“King of Averno. King of here.”
The King of Averno, whoever he might really be, he so called, suddenly took hold of one of the posts that supported the roof of the taphouse and began to swing about it as he sang; he slipped, staggered, ceased not to sing, but the crown had been jarred from his head and fell, and Vergil caught it. In a moment it was taken from his hands, and, still singing and dancing, jinging and ringing, Cadmus went away. Leaving some thoughts ringing, at least, in Vergil’s mind. King. Well. They were indeed in the Very Great Empire of Rome, and an emperor is by definition a king over kings; indeed, the Greeks had yet not formed a word for “emperor” and called the supreme ruler, still,
basil,
king, prefaced and followed of course by very many
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