Vienna Blood by Frank Tallis Page B

room downstairs. There was a trail of blood going up to the landing. The monster must have brought a brush with him specifically for this purpose!”
    Liebermann nodded, drained the remains of his brandy, and continued to inspect the photographs. His face was rigid, his jaw tense.
    Lacerations, slashes, mutilated pudenda, a thick rope of intestine …
    When he had viewed all of the photographs, he placed them on the table next to the prayer book and said softly: “I don't know what to say.”
    Rheinhardt passed Liebermann a large sheet of paper, on which the floor plan of the Spittelberg brothel had been sketched. The walls were shaded, and each room was filled with symbols: a quarter circle to show the arc of an opening door, a large rectangle to show a double bed, and so on. Each object was lettered, and each letter was included on a key: D = Door, B = Bed, F = Fireplace. A narrow barred rectangle showed the staircase, which was transected by an arrow marked “up.”
    “Marta Borek's body was found in this room here,” said Rheinhardt, pointing out the location on the plan. “The room on the opposite side of the hall is a rather squalid waiting room. The three girls were found upstairs. Wanda Draczynski was in the first room— she's the one with the …” He suddenly faltered.
    “Genital mutilation,” suggested Liebermann.
    “Yes,” Rheinhardt continued. “Genital mutilation. Rozalia Glomb was found in the second room. She's the one who had the contents of her belly strewn over the bed. And Ludka was found here.” Rheinhardt tapped the plan.
    Liebermann rifled through the stack of horrific images until he came to the photographs of Ludka: a slender girl in a nightdress, herright arm extended and her fingers closed around a blanket that she had almost pulled off the bed.
    “She doesn't appear to have been mutilated.”
    “No. She was struck on the back of the head. But it was enough to kill her.”
    “When did this happen?”
    “On Tuesday.”
    “And at what time?”
    “Late morning or early afternoon.”
    “Why were all the women in bed?”
    “That is when prostitutes sleep, Max.”
    “Yes … of course.” Liebermann was momentarily embarrassed, but he continued. “I wonder how he, the perpetrator, succeeded in committing these atrocities. Surely he would have made some noise? Why didn't one of the women wake up and raise the alarm?”
    “I think Ludka did,” said Rheinhardt. “That was why she was struck on the back of the head. She met him at the door, turned, and then received the fatal blow.”
    “But I don't see how he—”
    “Allow me to explain,” said Rheinhardt.
    Liebermann settled back in his chair and adopted a characteristic pose: his right hand pressed against his cheek, three fingers clenched, thumb cocked, and the vertical index finger resting against his temple.
    “I believe,” continued Rheinhardt, “that the perpetrator arrived at the front door, confident that only the women were inside. I suspect that he had been observing the house and did not act until he had counted out all those patrons whom he had previously counted in. Then he knocked on the door—which was answered in due course by Marta Borek. He stabbed her in the chest and dragged her limp body to the room in which we found her. After ascending the stairs, he entered Draczynski's room and slit her throat while she slept beforedoing the same to Glomb. By this time, Ludka was most probably awake and out of bed. … After dispatching Ludka, the perpetrator went down the stairs and slit Borek's throat. When he climbed them again, it was with a brush dipped in Borek's blood. He then set about mutilating Draczynski and Glomb, but was disturbed before he reached Ludka.”
    “What by?”
    “I don't know. Another caller perhaps. … The perpetrator then descended the stairs for the last time and made his exit through Borek's window. There's an alleyway at the back of the house.”
    “Where does it come out?”
    “It