Tags:
United States,
Fiction,
General,
Historical,
Juvenile Nonfiction,
People & Places,
Juvenile Fiction,
Fantasy & Magic,
Occult fiction,
Girls & Women,
Witchcraft,
Poetry,
Novels in Verse,
Trials (Witchcraft),
Salem (Mass.),
Salem (Mass.) - History - Colonial period; ca. 1600-1775
all the time foul,â
Step-Mother says to Father.
I creak open the door,
and the room hums with silence.
âMargaret.â Father guides me
to a chair. âYour uncle Thomas
has asked that you come to aid
in his home. And I did say you would.â
âBut I be not a servant.â
The tears I been holding
shower âpon my face.
âOf course not,â he pats my head.
âWe think there may be more power
in having three seers under one roof.
Perhaps the witches will stop
their torment. Now ready yourself.â
I know he be wrong, we will torment
all the more, but I rise to pack my bags.
Father smiles. âAnnâs mother
requested that you come.â
The corners of my mouth round up.
My aunt Annâmight she
offer some aid with Isaac,
and Annâs mistreatment of me,
and dread Mercy? My feet tingle.
âYes, sir,â I say.
I do not bid Step-Mother farewell.
I just kiss Fatherâs cheek
and slide out the door.
HE IS NOT THE MAN
Mercy Lewis, 17
The tailor of cloths and hides
gazes at me.
I do not know this man
to point a finger at.
Only Ann does that.
âHe is upon the beam,â
Ann says, and all look
up to the rafters,
but I see neither person
nor specter there.
Judge Corwin points at the tailor.
âBe this man a witch?â
he asks us Afflicted.
Elizabeth says, âYes, sir.
He is the one who hurts me.â
But her voice quivers
as she speaks, like a branch
rattled in the wind.
Allowed back in court for the first time,
Abigail looks to Ann,
but Ann stares toward the window.
In a voice unsteady
as a one-legged man Abigail says,
âHe is the man. He is very like the man.â
Margaret says, âYes, he is very like the man.â
The tailorâs eyes plead with me.
I shift on the court bench.
âHe is not the man,â I say.
Gasps and chatter fly
about the court like roused hornets.
Judge Corwin calls, âSilence.â
Annâs eyes enlarge
and she demands of Nehemiah Abbott,
the tailor, âBe you the man?â
Ann spits and sputters,
writhes and kicks herself
onto the floor.
She cries, âDid you put a mist on my eyes?â
We are dragged outside
and asked again
to look upon the countenance
of Goodman Abbott.
All the girls nod with me this time.
Though Goodman Abbott
be like the specter,
he is not the same man.
They release Nehemiah Abbott
from his chains.
Little Ann folds her arms,
grinds her toe
into the dusty path.
I stroke her head
and she straightens up.
Her eyes hold back water.
âDid I do wrong?â she asks me.
âOf course not,â I say.
âIn fact, you did exactly right.â
I lift my head
to be for once
not only a part
of the beloved choir
but its lead soloist,
the whole town listening.
LIVING AT THE PUTNAMSâ
Margaret Walcott, 17
I fold my skirts into Annâs bureau,
my entire wardrobe crammed
into one drawer.
This room smells like a waste bowl.
I light a taper.
I open the bureau
and Mercyâs green shawl lies
inside right where my blue
one ought to go. I toss hers to the floor.
âHow dare she go against you
like that? Ye are our leader.â
I feel the anger break
through my veins like waves.
âBut Mercy was right,â Ann says.
I roll my eyes. I turn round
to shake out my blanket,
and Mercy looms in the doorway.
âHow long you been loitering there?â
I ask her.
âLong enough.â She strokes Annâs arm.
âAnn, would you bring us tea?
I set the water to boiling.â
Annâs off like a ship in high gales.
âNow heed me,â Mercy says.
As she speaks I spot a flaw of hersâ
her teeth are too big for her mouth.
I pull back my arm and crack
my blanket at her face like a whip.
The shock stuns her.
I laugh at her popped eyes
and her hair stuck up
like some frightened catâs.
I strike her again.
She catches the blanket
and drags me toward
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