her negatively in any way. And decides that yes, it does.
‘But that’s no use to me, Annie, I’m doing my Christmas cards today and I need you to be here. You should have been here to help me yesterday and it’s not my fault that you weren’t.’
I can just picture her as she says this, all swelled up like a gobbler with enough ammunition to bitch about me behind my back for weeks to come. Then I sigh so deeply it’s like it’s coming from my feet upwards and wonder what she wants me to do exactly? Write out all the cards for her? Wouldn’t surprise me.
Anyway, at this stage I’ve had years of practice in dealing with her, so I draw on all my experience and do what I always do: lock my voice into its lowest register and at all costs, don’t let her turn me into her emotional punchbag. I calmly tell her that although I’ll be gone for most of the day, I’ll be back later in the evening and will be perfectly happy to take care of whatever she needs then.
‘But you’re not listening to me, Annie, I have to get my Christmas cards posted today and I need you to get to the post office before it shuts. You know perfectly well I can’t go by myself. Standing in queues brings on one of my weak spells and I’ve really not been myself all morning, you know. And another thing – you still don’t have the Christmas treeup yet, Annie. I don’t understand, what exactly have you been doing with your time?’
I let the veiled insult pass and suggest that, since it’s so urgent, maybe she should just ask Jules to do the post office run for her?
‘Well if I’d known you were flitting off to Dublin for the day then of course I would have, but Jules was still asleep when I left the house and I don’t like to wake her.’
I can’t help smiling in spite of myself; typical Jules. She’s a terrible stickler for getting her twelve hours’ sleep. Plus, she always says that even if she’s lying wide awake in bed it’s a far, far better thing to stay put, than to get up and enter Audrey-land. And, in all fairness, can you blame the girl?
‘Oh and another thing, Annie, when I went upstairs to use the bathroom just now, I had a little look around and I couldn’t help noticing that you still hadn’t made your bed and that there were unlaundered clothes belonging to poor Dan strewn all over the floor as well. You know I hate to say it, but I really think you should think about organising your household chores a little bit better. It really upsets me when I see that the house isn’t being cared for properly and no man likes to live in a messy house you know…’
Just then I lose the signal on my phone, so mercifully this conversation ends before the mental image of Audrey combing through our bedroom when I’m not there takes root deep in my psyche.
Note to self: if I don’t get this job, then I’m asking Dan if we can buy a caravan for our back garden so we can go and live in it instead. A little mobile home that could sit in the back garden and look like it was adopted by TheMoorings out of charity. With deadbolts on every door and window, to ensure some minor degree of privacy. Or if it comes to it, then I’ll just move out and live in the shagging thing on my own. Because life in a four-wheel trailer certainly couldn’t be much worse than life at Grey Gardens, could it?
Anyroadup, I arrive in Dublin a good forty-five minutes before the audition starts, park the car and head back for the National theatre. It’s a miserable winter’s day – icy cold, with a sharp wind blowing and only a weak, watery sun desperately trying to break through the heavy overhead clouds…but to me, with an audition to go to and with a spring in my step, it’s only bloody beautiful.
Funny, but in The Sticks I’m completely surrounded by natural beauty and probably the most stunning scenery you’re ever likely to see, yet somehow, I never seem to notice it. But being here, back in the city and striding purposefully down a
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