worried. Except, perhaps, Director Kong, who was whispering behind his hand into his cell phone. I paused. He got up and left the room. Oh well, the ladies were with me.
âWe know you are concerned about the children in your care. The good news is that we think we can help you give them everything they need to succeed in life. With the help of Zhao Laoshi [Teacher Wen] and other experts, Half the Sky has developed two programs just for this purpose.â
I told them a little bit about the very famous and innovative and scientific Reggio Emilia approach, and about the plans weâd drafted for Reggio-inspired Little Sisters Preschools and Baby Sisters Infant Nurture Centers.
âWhen children feel safe and loved, it is easy and natural for them to learn. Reggio is all about opening doors for the children, giving them rich experiences, helping them to fall in love with learning. Then they can reach their true potential. The founder of Reggio said, âOur job is to help children climb their own mountains, as high as possible. No one can do more.ââ
By the time I wrapped it up, Director Kong was back in the room. The ladies waited for him to speak.
âIt is a very good plan.â
âThank you, Director Kong. I really hope we can work together.â
âCertainly. What we need is an elevator and a new washing machine.â
I looked at the ladies. No one seemed to disagree.
âI see. Well. May I visit the children?â
Chapter 3
Do Not Upset Heaven and Earth
I entered a room full of orphans. It was the first time.
There were maybe twenty, maybe thirty of them, all little girlsâtoddlers. But no one was toddling. They were all sitting on little paint-chipped wooden potty chairs in a small dormitory. The children were tied to the chairs at their ankles and chests with strips of rag.
There was a scratchy black-and-white television in one corner playing a soap opera. The sound was low. There was no other sound in the room. No cries. No little kid noises at all.
A young ayi âwhich means auntie , but in this context, caretaker or maid âin a wrinkled, once-white uniform arrived. She was carrying a metal bowl of rice mush with bits of something brown. She was maybe sixteen. â Nihao ,â I said. She nodded with a shy smile, eyes averted, then grabbed a spoon and sat down on a small plastic stool before the little girls. She started scooping food into the first three little bird mouths. The other children watched her, mouths open, waiting for their turn.
âWhy are they tied?â I asked Mrs. Li.
âWe donât have enough workers to control them,â she said.
âWellâdo they have any toys to play with or anything?â
âOh yes.â
I murmured to Mrs. Zhang, âWhere are they? The toys?â
Mrs. Zhang asked. âShe says theyâre locked up.â
âWhy?â
âThe children will break them,â Mrs. Li said.
âButââ
And then I shut up.
I knelt beside a small girl who wore a red string tied tightly around her tiny wrist. It was digging into her skin.
âOw,â I whispered. I touched the string. She looked at me with pure terror.
âItâs too tight . . . the string . . .â
âHer mama gave it to her. She wonât let us take it off.â
I stood up, shaky on my feet. I tried to touch each little rough cheek or hand before I left. Pathetic gesture.
THE NEXT ROOM was full of older girlsâanother twenty or soâmaybe three to twelve years old. They were arranged around two large, bright-colored tables. The tables looked brand newâcompletely out of place in the otherwise dingy surroundings. A brand-new, seemingly never-touched toy had been placed before each childâplastic puzzle discs and stuffed animals and toy military vehicles, some still in packaging. No one played. I donât think the children had ever seen toys before that day.
They
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