watching—Bobby. And she knew that they must have had the same notions skittering across their thoughts: could either of them bear to be hurt so deeply? Could either of them bear to walk away?
It was a modest office block by federal standards, left over from a more decorative age, like the Old Executive Office Building and the Smithsonian. But what it lacked in modern aesthetics, or the practicalities of state-of-the-art internal data networking, it more than made up for in proximity to the
one
building in town that mattered. The one with the address 1600 Pennsylvania Avenue.
The offices housed the youngest of the president’s cabinet departments. But the reason both for its importance and for its being treated as a bastard stepchild could be found on the official identification plaque out front: united states department of mutant affairs. As usual, despite the constant surveillance of CCTV cameras and patrols by the DC metro police and federal security, someone had still managed to tag the sign during the night, using spray paint to cover
Affairs
with the word
Abominations.
The third-floor front suite, with a view of the White House, belonged to the secretary. Alicia Vargas—former Secret Service bodyguard to the previous president, now employed by DOMA as unofficial bodyguard and thoroughly official executive assistant to the secretary—strode down the elegant wood hallway and, with a pro forma knock, opened the door to her boss’s office.
The room was exquisitely furnished; whatever else you could say about Henry McCoy, DSC, PhD, he had excellent taste. At the moment, he was also hanging upside down from the suitably reinforced chandelier, thoroughly enjoying the latest issue of the
Economist.
Alicia was a lovely woman, the kind you’d expect to be chairing a PTA meeting, with a remarkable knack for blending into a crowd. She was as professionally turned out as her boss, although her suit, while a quality design, was off-the-rack, and his wholly bespoke Savile Row. The major difference was that hers was cut to hide the SIG Sauer automatic she still wore in a belt holster, while his suit was built around a six-foot, nearly three-hundred-pound, immensely athletic body completely covered in rich blue fur.
He had fangs, too—a mouthful. And claws that became quite evident when he neglected to keep his nails properly trimmed. He had a leonine mane of hair which was a discernibly darker hue than his body, swept elegantly back from a dramatic widow’s peak, as well as sweeping side whiskers that bore an uncanny resemblance to one of the major villains of a world-famous comic book. He could bench press twice his body weight without trying, had reflexes that were almost a match for Alicia’s—because
she
was a mutant too, just not quite so obvious a manifestation, thank God—and agility that could send the most madcap of monkeys back to school. He was, in fact, everything implied by the nickname he’d been given back in college—the
Beast.
McCoy could also speak a score of languages fluently, was one of the more respected genetic anthropologists on the planet, a demon dancer, and apparently an even better lover. He enjoyed fine wines with his brother, the Jungian psychiatrist, preferred cooking to eating out because he was a better chef than most professionals, and had an unfortunate weakness for karaoke bars. His speaking voice was wonderful, but his singing tended to recall cats congregating on a backyard fence.
What endeared him most to Alicia, however, was the fact that he needed reading glasses. He wore a classic pair, perched on his rather dramatic nose.
McCoy raised an eyebrow over the spine of the magazine as she snared his jacket off the back of his chair.
“The White House called,” she told him. “They’ve moved up the meeting. Something to do with Bolivar Trask.”
“Hmnh” was Hank’s only comment as he flipped through a crisp, confined somersault to land on the floor with
Tonya Kappes
Adam LeBor
Vickie; McDonough
Jerome Teel
Carolyn Keene
Jennifer Bell
MICHAEL KOTCHER
Shaun Jeffrey
K.M. Penemue
Perry Horste