Xenocide (Ender Wiggins Saga)
unbearable, and yet she couldn't get rid of it.
    "Father! Come take me away! I don't want to be godspoken!" He didn't come. She began to cry.
    The trouble with crying was that it didn't work. The more she cried, the filthier she felt. The desperate need to be clean overpowered even her weeping. So with tears streaming down her face, she began to search desperately for some way to get the grease off her hands. Again she tried the silk of her gown, but within a little while she was wiping her hands on the walls, sidling around the room, smearing them with grease. She rubbed her palms on the wall so rapidly that heat built up and the grease melted. She did it again and again until her hands were red, until some of the softened scabs on her palms had worn away or been torn off by invisible snags in the wooden walls.
    When her palms and fingers hurt badly enough that she couldn't feel the slime on them, she wiped her face with them, gouged at her face with her fingernails to scrape away the grease there. Then, hands dirty again, she once more rubbed them on the walls.
    Finally, exhausted, she fell to the floor and wept at the pain in her hands, at her helplessness to get clean. Her eyes were shut with weeping. Tears streaked down her cheeks. She rubbed at her eyes, at her cheeks-- and felt how slimy the tears made her skin, how filthy she was. She knew what this surely meant: The gods had judged her and found her unclean. She wasn't worthy to live. If she couldn't get clean, she had to blot herself out. That would satisfy them. That would ease the agony of it. All she had to do was find a way to die. To stop breathing. Father would be sorry he didn't come when she called to him, but she couldn't help that. She was under the power of the gods now, and they had judged her unworthy to be among the living. After all, what right did she have to breathe when the gate of Mother's lips had stopped letting the air pass through, in or out, for all these many years?
    She first thought of using her gown, thought of stuffing it into her mouth to block her breath, or tying it around her throat to choke herself-- but it was too filthy to handle, too covered with grease. She would have to find another way.
    Qing-jao walked to the wall, pressed against it. Sturdy wood. She leaned back and flung her head against the wood. Pain flashed through her head when it struck; stunned, she dropped to a sitting position on the floor. Her head ached inside. The room swung slowly around and around her. For a moment she forgot the filthiness of her hands.
    But the relief didn't last long. She could see on the wall a slightly duller place where the grease from her forehead broke up the shiny polished surface. The gods spoke inside her, insisted she was as filthy as ever. A little pain wouldn't make up for her unworthiness.
    Again she struck her head against the wall. This time, however, there was nowhere near as much pain. Again, again-- and now she realized that against her will, her body was recoiling from the blow, refusing to inflict so much pain on herself. This helped her understand why the gods found her so unworthy-- she was too weak to make her body obey. Well, she wasn't helpless. She could fool her body into submission.
    She selected the tallest of the statues, which stood perhaps three meters high. It was a bronze casting of a man in mid-stride, holding a sword above his head. There were enough angles and bends and projections that she could climb. Her hands kept slipping, but she persevered until she balanced on the statue's shoulders, holding onto its headdress with one hand and the sword with the other.
    For a moment, touching the sword, she thought of trying to cut her throat on it-- that would stop her breath, wouldn't it? But the blade was only a pretend blade. It wasn't sharp, and she couldn't get her neck to it at the right angle. So she went back to her original plan.
    She took several deep breaths, then clasped her hands behind her back and

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