very peculiar with the Wormboys out there. They had devolved into your average b-movie zombies. Shambling deadheads, wandering around, bumping into one another, picking at scraps. No organization whatsoever. Dragna had been their brain and without her, they were really just mindless walking corpses. Creatures of opportunity.
It gave me hope.
I started planning out how we would escape the shelter. Go somewhere and find other people. Maybe an armory or a military base somewhere. But the more I thought about it the more I began to picture us wondering the wastelands, finding empty city after empty city, nothing but the dead haunting the cemetery sprawl of the brave new world.
Soon enough, I pictured us becoming little better than animals. Maybe living in caves, huddled around fires, drawing crude pictures on the walls of Wormboys sacking civilization until we reached the point in our crowded, primitive brains where we could no longer remember what civilization was.
Hope sometimes dies a cruel death in the face of reason.
I don’t dare go out at night, but during the day—if I’m armed—I can handle the dead as long as they don’t cluster or put on a united front. The scary thing is, lately they’ve been organizing again into small bands. They’ve been watching the shelter like they used to. Just standing out there, staring, infinitely patient and infinitely frightening.
This morning I found out why.
I found a note stuck to the door. Here’s what it said:
TOMMY,
OCTOBER 13 DELIVER THE SIX
IF YOU DO NOT WE WILL COME FOR ALL
WE WILL SKIN YOUR CHILDREN AND WEAR THEIR ENTRAILS
M.
In the back of my mind I suspected something like this for a long time and I think it was the inspiration behind me wanting to gather up the kids and get out. But we’re not going anywhere. That’s the terrifying reality of it. And the most disturbing thing, of course, is the note itself. You see, I recognize the handwriting: it’s Maria’s. They’ve found their new Dragna as somehow I supposed they would.
So I’m going to gather the kids together in the dining hall tonight and this is what I’m going to say to their innocent, trusting little faces: “Kids, we’re going to play a new game. It’s called a lottery and only six of you can win…”
Or lose.
CORPS CADAVRE
Midnight.
The prison mortuary.
The building was squat and cold, cut from blocks of gray stone stacked in a grim heap like a cairn made of interlocking skulls. The windows were barred and the doors were narrow, clustered with shadows. Sullen and utilitarian, it sat well away from the other prison buildings, connected only by a ribbon of winding dirt road. It flanked the potter’s field cemetery, rising above and lording over the weedy fields of the dead—the wooden crosses riding the hills and hollows, marking the graves of the unknown, the unwanted, and the undesirable.
Inside, Johnny Walsh sat at his little desk, feet up, fingers drumming nervously against his legs. Not yet forty, Johnny had already done ten years in that hardtime joint on a double-homicide. His world before maximum security was a tight working class existence and after the murders, one of rage, anger, and oppression. A world just as dark as the skin on his face, a world where poor shanty blacks and white trash busted heads to break the boredom, where black drug gangs and the white Aryan Brotherhood shanked each other over donuts.
But that was doing life.
Johnny would taste freedom roughly about the time of the Second Coming. Breathe in, you smell the despair; breathe out, you smell your life winding out in crowded, steel silence.
Johnny was humping the night shift with the stiffs because of the riot.
Four days before, the small, seething Hispanic population decided to kill every black in the joint. They squirreled away shivs and pipes and razors.
It gave me hope.
I started planning out how we would escape the shelter. Go somewhere and find other people. Maybe an armory or a military base somewhere. But the more I thought about it the more I began to picture us wondering the wastelands, finding empty city after empty city, nothing but the dead haunting the cemetery sprawl of the brave new world.
Soon enough, I pictured us becoming little better than animals. Maybe living in caves, huddled around fires, drawing crude pictures on the walls of Wormboys sacking civilization until we reached the point in our crowded, primitive brains where we could no longer remember what civilization was.
Hope sometimes dies a cruel death in the face of reason.
I don’t dare go out at night, but during the day—if I’m armed—I can handle the dead as long as they don’t cluster or put on a united front. The scary thing is, lately they’ve been organizing again into small bands. They’ve been watching the shelter like they used to. Just standing out there, staring, infinitely patient and infinitely frightening.
This morning I found out why.
I found a note stuck to the door. Here’s what it said:
TOMMY,
OCTOBER 13 DELIVER THE SIX
IF YOU DO NOT WE WILL COME FOR ALL
WE WILL SKIN YOUR CHILDREN AND WEAR THEIR ENTRAILS
M.
In the back of my mind I suspected something like this for a long time and I think it was the inspiration behind me wanting to gather up the kids and get out. But we’re not going anywhere. That’s the terrifying reality of it. And the most disturbing thing, of course, is the note itself. You see, I recognize the handwriting: it’s Maria’s. They’ve found their new Dragna as somehow I supposed they would.
So I’m going to gather the kids together in the dining hall tonight and this is what I’m going to say to their innocent, trusting little faces: “Kids, we’re going to play a new game. It’s called a lottery and only six of you can win…”
Or lose.
CORPS CADAVRE
Midnight.
The prison mortuary.
The building was squat and cold, cut from blocks of gray stone stacked in a grim heap like a cairn made of interlocking skulls. The windows were barred and the doors were narrow, clustered with shadows. Sullen and utilitarian, it sat well away from the other prison buildings, connected only by a ribbon of winding dirt road. It flanked the potter’s field cemetery, rising above and lording over the weedy fields of the dead—the wooden crosses riding the hills and hollows, marking the graves of the unknown, the unwanted, and the undesirable.
Inside, Johnny Walsh sat at his little desk, feet up, fingers drumming nervously against his legs. Not yet forty, Johnny had already done ten years in that hardtime joint on a double-homicide. His world before maximum security was a tight working class existence and after the murders, one of rage, anger, and oppression. A world just as dark as the skin on his face, a world where poor shanty blacks and white trash busted heads to break the boredom, where black drug gangs and the white Aryan Brotherhood shanked each other over donuts.
But that was doing life.
Johnny would taste freedom roughly about the time of the Second Coming. Breathe in, you smell the despair; breathe out, you smell your life winding out in crowded, steel silence.
Johnny was humping the night shift with the stiffs because of the riot.
Four days before, the small, seething Hispanic population decided to kill every black in the joint. They squirreled away shivs and pipes and razors.
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