Dead Town by Dean Koontz

porcelain figurines had been real people, she would have killed them all; she would have gutted them and torn their heads off and set their remains on fire.
    If the real Nancy Potter had not been dead,
this
Nancy Potter would have beaten her to death just for having bought the figurines in the first place. Three shelves with twenty-six porcelains simply could not be balanced and pleasing to the eye. For one thing, the closest she could come to having the same number on each shelf was nine, nine, eight. For another thing, the
ideal
number per shelf, to ensure that the display case would look neither too empty nor too crowded, was twelve. She could make it look acceptable with eleven per shelf, but that still left her seven figurines short. The real Nancy Potter clearly had no awareness of the necessity for symmetry in all things, for order and balance.
    Every Communitarian understood that perfect symmetry, absolute order, balance, and conformity were important principles. There were numerous important principles, none more important than the others: undeviating focus, efficiency, unconditional equality, uniformity, obedience to the Community’s Creator, the embrace of cold reason and the rejection of sentimentality.…
    The real Nancy Potter had been a typical human being, poorly focused, inefficient. And talk about sentimental! These twenty-six porcelain figurines were angels. During the hour that the replicant Nancy spent striving to bring symmetry to the display, she had become increasingly disgusted not only with the disorder, but also with all these mawkish, maudlin, insipid, inane angels in their infuriatingly stupid poses of stupid simpering adoration and stupid self-righteous piety. They were an affront to reason, an insult to intelligence, and an offense against efficiency. If the real Nancy Potter had been here, Communitarian Nancy would have beaten her to death but not until she crammed every one of these stupid porcelainangels down the stupid woman’s throat or in some other stupid orifice.
    Exasperated, she dropped two of the angels on the floor and stomped on them until they were worthless debris. This left twenty-four figurines, eight per shelf: balance. They were still angels, however, and the shelves looked too empty to please the eye. She plucked two more porcelains from the display and threw them on the floor and stomped on them, stomped, and then two more, and yet two more. Destroying these schmaltzy gimcracks gave her intellectual satisfaction,
immense
satisfaction, smashing such crass symbols of blithering ignorance. She despised them, these loathsome little winged totems, she hated them, and she hated the foolish human being who had collected them. They needed to die, every last clueless human being needed to be exterminated, because with them would die their idiot fantasies, their moronic, witless, irrational, dull, obtuse, foolish, imbecilic, puerile beliefs and ideas and hopes. Every last preening, self-deluded man, woman, and child needed to die—especially the children, they were the worst, those filthy excretions of an unthinkably messy biological process—they all needed to be stomped, stomped,
smashed, pulverized, GROUND INTO MEAT PASTE
!
    From the archway between the living room and the downstairs hall, Ariel Potter said, “You aren’t obsessing, are you?”
    This was not the real Ariel, who had been fourteenyears old. That Ariel was dead. This Ariel was blond and blue-eyed like the other; but she had been programmed and extruded little more than nine days earlier.
    “Because if you’re obsessing, I have to report you to our Creator. He’ll have to recall you.”
    Members of the Community were as efficient and as focused as machines. Efficiency equaled morality; inefficiency was the only sin their kind could commit. The sole thing that could render one of them inefficient was obsession, to which a few of their kind were prone. Not many. The tendency to obsession was easily recognized by