carrion even on the highway
hates to rise and flap off, wants to continue
feasting on what it has let down upon
folding the tent of its broad dusty wings.
That I like to conquer chaos one square
at a time like a board game.
That I fear the sins of omission more
than commission. That the whining saw
of the mill of time shrieks always in my ears
as I am borne with all the other logs
forward to be dismantled and rebuilt
into chairs, into frogs, into running water.
All lists start where they halt, in intention.
Only the love that is work completes them.
Going into town in the storm
The sky is white and the earth is white
and the white wind is blowing in arabesques
through us. The world wizens in the cold
to a circle that stops beyond my mittens
outstretched on which the white froth
still dissolves. Up, north, leftâ
all are obliterated in the swirl.
The only color that exists clings to
your face, your coat, your scarf.
We ride the feathered back of a white goose
that flies miles high over the Himalayas.
Where yesterday houses stood of neighbors,
summer people, scandals still smoulderingâ
heaps of old tires that burn for daysâ
today all is whited out, a mistake
on a typed page. My blood fizzes in my cheeks
like a shaken soda waiting to explode.
Into any haven we reach we will carry
a dizziness, a blindness that will melt
slowly, a sense of how uneasily we inhabit
this earth, how a rise or drop of a few degrees,
a little more water or a trifle less, renders
us strange as brontosaurus in our homeland.
We are fitted for a short winter and then spring.
We stagger out of the belly of the snow
plucked of words naked and steaming.
The clumsy season
I keep cutting off bits of my fingers or banging
my knee hard. I am offering pain and blood
like a down payment on myself withheld.
Donât leave me because I am wasting words,
pissing them out like bad wine swallowed
that leaves the skull echoing and scraped.
Donât let the words rise up and leave me
like a flight of dissatisfied geese.
I am waters waiting to be troubled again.
I am coming back and I will enter quiet
like a cave and crouch with my knees drawn up
till you birth me into squabbling bliss.
I promise to relearn stillness like a spider.
I will apprentice myself to pine trees.
I will study the heron waiting on one foot.
Only do not leave me empty as the skin
the snake has cast on the path, ghostly
colors fading and the sinuous hunter gone.
Fill me roaring with your necessary music.
Loose upon me your stories screaming for life,
ravenous as gulls over a fishing boat.
Or send the little dreams like gnats into my hair.
Tease me with almost vision, flashes, scents
that dangle barbs into the dark currents
of memory. Use me however you will but
use me. These little accidents are offerings
to that Coming never accidental.
Silk confetti
Apple blossom petals lay on asphalt
fallen from the tree at the roadâs turn
white as the flesh of the apple
will be, flushed pink
with the same blush
tender and curved as cheeks;
soft on hard; soon
to be bruised to vague stains.
Our best impulses often drop so
and vanish under traffic. We will
not know for months
if they bore fruit.
And whose creature am I?
At times characters from my novels swarm through me,
children of my mind, and possess me as dybbuks.
My own shabby memories they have plucked and eaten
till sometimes I cannot remember my own sorrows.
In all that I value there is a core of mystery,
in the seed that wriggles its new roots into the soil
and whose pale head bursts the surface,
in the dance where our bodies merge and reassemble,
in the starving baby whose huge glazing eyes
burned into my bones, in the look that passes
between predator and prey before the death blow.
I know of what rags and bones and clippings
from frothing newsprint and poisonous glue
my structures are built. Yet these creatures
I have improvised like
Debbi Rawlins, Cara Summers