Purgatorio

Purgatorio by Dante

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Authors: Dante
IX del
Purgatorio
,” in
Purgatorio: letture degli anni 1976–79
, ed. Silvio Zennaro, Casa di Dante in Roma (Roma: Bonacci, 1981), pp. 175–98.
    Vesc.2002.1
    Vescovini, Graziella Federici, “Dante e l’astronomia del suo tempo,”
Letteratura italiana antica
3 (2002): 291–309.
    Vick.1983.1
    Vickers, Nancy, “Seeing is Believing: Gregory, Trajan, and Dante’s Art,”
Dante Studies
101 (1983): 67–85.
    Vill.1987.1
    Villa, Claudia, “In favore della Gran Contessa,”
Quaderni del Dipartimento di lingue e letterature neolatine dell’Istituto universitario di Bergamo
2 (1987): 67–76.
    Wenz.1965.1
    Wenzel, Siegfried, “Dante’s Rationale for the Seven Deadly Sins (
Purgatorio
XVII),”
Modern Language Review
60 (1965): 529–33.
    Wenz.1967.1
    Wenzel, Siegfried,
The Sin of Sloth: “Acedia” in Medieval Thought and Literature
(Chapel Hill: University of North Carolina Press, 1967).
    Weth.1984.1
    Wetherbee, Winthrop, “
Poeta che mi guidi
: Dante, Lucan, and Virgil,” in
Canons
, ed. R. Von Hallberg (Chicago: University of Chicago Press, 1984), pp. 131–48.
    Wilk.1927.1
    Wilkins, Ernest Hatch, “Dante and the Mosaics of his
Bel San Giovanni
,”
Speculum
2 (1927): 1–10.
    Wlas.1989.1
    Wlassics, Tibor, “Il canto XV del
Purgatorio
,” in
Filologia e critica dantesca: Studi offerti a Aldo Vallone
(Florence: Olschki, 1989), pp. 161–74.
    Wolf.1935.1
    Wolfson, Harry Austryn, “The Internal Sense in Latin, Arabic, and Hebrew Philosophic Texts,”
Harvard Theological Review
28 (1935): 69–133.
    Wood.1977.1
    Woody, Kennerly M., “Dante and the Doctrine of the Great Conjunctions,”
Dante Studies
95 (1977): 119–34.

JEAN HOLLANDER AND ROBERT HOLLANDER
PURGATORIO
----

    JEAN HOLLANDER is a poet, teacher, and was director of the Writers’ Conference at the College of New Jersey. She has published three books of her poems.
    ROBERT HOLLANDER , her husband, taught Dante’s
Divine Comedy
to Princeton students for forty-two years. He is the author of a dozen books and some ninety articles on Dante and/or Boccaccio. He has received many awards, including the gold medal of the city of Florence, in recognition of his work on Dante.

ACCLAIM FOR THE HOLLANDER TRANSLATION OF
THE INFERNO
----
    “There has seldom been such a useful [version].…The Hollanders … act as latter-day Virgils, guiding us through the Italian text that is printed on the facing page.”
    —The Economist
    “The virtues of prose raised to a quiet, sometimes stunning elegance.…Reading Dante with Hollander could become addictive.”
    —Tom D’Evelyn,
The Providence Journal
    “A distinguished act of poetry and scholarship in one and the same breath, the Hollander Dante, among the strong translations of the poet, deserves to take its own honored place.”
    —Robert Fagles, translator of
The Iliad
and
The Odyssey
    “The present volume makes the poem accessible to the lay reader and appealing to the specialist: the translation is both faithful to the original and highly readable; the introduction and notes are dense without being overly scholarly; the bibliography consists predominantly of studies in English, encouraging further investigation by English-language readers.…A highly worthy new
Inferno
that is the mature fruit of years of scholarly, pedagogical, and creative work.”
    —Choice
    “The New
Inferno
, as this is likely to be called, is both majestic and magisterial and the product of a lifelong devotion to Dante’s poetry and to the staggering body of Dante scholarship. The Hollanders capture each and every accent in Dante, from the soft-spoken, effusive stilnovista poet, to the wrathful Florentine exile, to the disillusioned man who would become what many, including T.S. Eliot, consider the best poet who ever lived. The Hollanders’ adaptation is not only an intelligent reader’s Dante, but it is meant to enlighten and to move and ultimately to give us a Dante so versatile that he could at once soar to the hereafter and remain

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