The Book of Disquiet by Fernando Pessoa

stroll, and at one or another doorway a shopkeeper stands like an idle vagabond, hardly noticing a thing. Army recruits – some of them brawny, others slight – slowly drift along in noisy and worse-than-noisy clusters. Occasionally someone quite ordinary goes by. Cars at that time of day are rare, and their noise is musical. In my heart there’s a peaceful anguish, and my calm is made of resignation.
    All of this passes, and none of it means anything to me. It’s all foreign to my fate, and even to fate as a whole. It’s just unconsciousness, curses of protest when chance hurls stones, echoes of unknown voices – a collective mishmash of life.

4
    … and from the majestic heights of my dreams, I return to being an assistant bookkeeper in the city of Lisbon.
    But the contrast doesn’t overwhelm me, it frees me. And its irony is my blood. What should theoretically humiliate me is what I unfurl as my flag; and the laughter I should be using to laugh at myself is a bugle I blow to herald – and to create – a dawn into which I’m transformed.
    The nocturnal glory of being great without being anything! The sombre majesty of splendours no one knows… And I suddenly experience the sublime feeling of a monk in the wilderness or of a hermit in his retreat, acquainted with the substance of Christ in the sands and in the caves of withdrawal from the world.
    And at this table in my absurd room, I, a pathetic and anonymous office clerk, write words as if they were the soul’s salvation, and I gild myself with the impossible sunset of high and vast hills in the distance, with the statue I received in exchange for life’s pleasures, and with the ring of renunciation on my evangelical finger, the stagnant jewel of my ecstatic disdain.

5
    I have before me, on the slanted surface of the old desk, the two large pages of the ledger, from which I lift my tired eyes and an even more tired soul. Beyond the nothing that this represents, there’s the warehouse with its uniform rows of shelves, uniform employees, human order, and tranquil banality – all the way to the wall that fronts the Rua dos Douradores. Through the window the sound of another reality arrives, and the sound is banal, like the tranquillity around the shelves.
    I lower new eyes to the two white pages, on which my careful numbers have entered the firm’s results. And smiling to myself I remember that life, which contains these pages with fabric types, prices and sales, blank spaces, letters and ruled lines, also includes the greatnavigators, the great saints, and the poets of every age, not one of whom enters the books – a vast progeny banished from those who determine the world’s worth.
    In the very act of entering the name of an unfamiliar cloth, the doors of the Indus and of Samarkand open up, and Persian poetry (which is from yet another place), with its quatrains whose third lines don’t rhyme, is a distant anchor for me in my disquiet. But I make no mistake: I write, I add, and the bookkeeping goes on, performed as usual by an employee of this office.

6
    I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me – this was denied me, like the spare change we might deny a beggar not because we’re mean-hearted but because we don’t feel like unbuttoning our coat.
    Sadly I write in my quiet room, alone as I have always been, alone as I will always be. And I wonder if my apparently negligible voice might not embody the essence of thousands of voices, the longing for self-expression of thousands of lives, the patience of millions of souls resigned like my own to their daily lot, their useless dreams, and their hopeless hopes. In these moments my heart beats faster because I’m conscious of it. I live more because I live on