The Labyrinth of Drowning by Alex Palmer

had a theme, a colour, a fantasy for whatever taste. The erotic paintings had the commercial look of pneumatic sex, while the mirrors on the walls and ceilings made her wonder why people so enjoyed watching themselves.
    At the end of one corridor there was a fire door. Grace opened it to see the landing of a bleak, cement fire stair. She opened the door of the room closest to the exit. It was a little more spare than the others she’d seen, but it was serviceable and could be locked. It held a faint smell of air freshener gone stale. Grace climbed the fire stairs to the fourth floor. The fire door opened onto what seemed to be a private hallway laid with a length of red carpet. Not far from the fire exit a uniformed police officer stood outside an open doorway. Miss Marie Li’s apartment, with a direct line to the most discreet room in the brothel. Grace decided it was time to introduce herself.
    She walked into a room where someone had let their imagination take a different turn altogether from the pay-as-you-go fantasy downstairs. It was softer, a place where all negativities were expelled. Close the door behind you and you left the grey Parramatta streets below for some much more romantic place. Even so it had a fake quality, a chinoiserie such as you might find in a 1930s Hollywood film set where the action was supposedly situated in the exotic colonial Far East. The Art Deco furnishings, the drapes in period prints, the light fittings, the potted palms, the decorated screens, even the wallpaper, were a loving recreation of the time; elegant, richly coloured and luxurious.
    The room was filled with a sweet, fresh, but still almost overpowering odour. On the tables roundabout stood vases of cut flowers: red, white, lilac and yellow roses, deep blue irises, lilies. An ornate sideboard was covered with an array of orchids in heavy gilded metal pots. The flowers bloomed in every shade of colour merging to deeply variegated textures, one patterned almost like leopard skin. Downstairs, the clients paid by the half-hour to the hour; here the fantasy could go on for as long as anyone wanted.
    A smaller room off the main lounge had been set up for entertainment and was dominated by a large, flat screen. Therewere shelves of DVDs: silent and 1930s films, Hollywood musicals— Chicago, Singing in the Rain and Camelot . Along one wall were framed photographs of famous former love goddesses: Jean Harlow, Greta Garbo, Marlene Dietrich, Marilyn Monroe: their dresses and their blonde hair shimmering under lights. A photograph of the actor Gong Li, exquisite in a gold cheongsam, hung alongside them. Grace saw a DVD of one of her films, Shanghai Triad , sitting on the top of the DVD player.
    The sudden and pervasive smell of cigarette smoke caught her attention. She moved towards the kitchen, a room with gleaming stainless-steel fittings and pale granite bench tops. There were signs of interrupted food preparation on one of the benches: an array of dishes usually found on a yum cha menu and a bottle of vintage Pol Roger champagne in an ice bucket with two champagne flutes beside it. Borghini was sitting with Marie Li at the table, a uniformed policewoman with them. The rest of his team were searching the apartment. Jon Kidd was already there, leaning against the bench and watching everything.
    Marie was smoking quickly, a packet of cigarettes and a gold lighter close to her hand. There was no ingrained smell of stale cigarette smoke in the flat; if there had been, it would have disturbed the ambience, the smell of the flowers. If Marie lit up at other times, she must have had to go outside. No more than in her early twenties, she was stylishly attractive with a resemblance to Gong Li herself. Her eyebrows were finely curved, her mouth shaped full with red lipstick. Iridescent red tints in her black hair matched her rose-coloured fingernails. Her hands were shaking badly and she seemed unable to sit completely still.
    ‘Who’s this?’