The Spell
and a precocious gin and tonic for his visitor: Justin had sometimes worked as an actor; he was thirty-four; he had an unusually old father, in his nineties, who was a manufacturer; he had been with his boyfriend for a year and a half, he loved him but was bored with him physically. Robin felt no guilt or hostility towards this other man, just a distant curiosity. He said nothing about having once been married, and having a grown-up son; but after a shamed little unseen pantomime of hiding Simon’s photo in a drawer he left it on the bedside table, and Justin seemed gratified by its presence. Robin got the feeling that duplicity was a constant part of Justin’s life.
    He found him charming and funny, with a line in absurdity that he hadn’t expected. By the time of his third visit and his second gin and tonic they were grinning at one of his stories and holding each other’s gaze above a sudden deepening of intimacy which seemed to Robin both dangerous and possible. When Justin strolled and sprawled around the flat, naked or in his boxer shorts, he created a half-pleasant mood of lazy confinement. Robin watched him with a new alertness to his own four small white rooms, as if given a fresh chance to judge their effect. But Justin noticed nothing, and so made all the considered details and improvements seem rather negligible -Robin wondered if Simon himself had ever really appreciated them.
    At moments the sense of sacrilege was very strong – but then the point perhaps was that the stranger knew nothing of the man whose place he was taking: he had no obligation towards him. Robin sobbed when he told him of his death, but the loose hug that followed, the wiping of a cheek with a rough thumb, moved in ten seconds into sex – Robin heard his own tearful breaths modulate helplessly into gasps as Justin’s flickering mouth got to work. He stroked and clutched at his thick golden hair – and how it all came back, the life of love and excitement he had once thought of as his right and his inevitable future.
    In theory the afternoon arrangement was ideal for him, since it left the mornings free for visits to the site and he could work on through the lunch-hour, while the builders sat out under the portico, with their sandwiches and cigarettes, and their incurious air of owning the place. Then he could be home in twenty minutes, and after his two or three hours with Justin the early evening opened out with its usual patterns of exercise, and unusual invitations from old friends who were clearly still making him a priority. Robin quickly saw that his preoccupied manner and sad lack of interest in other men were indistinguishable from the symptoms of contained English mourning. At times he wondered why he wasn’t mourning more.
    But after a couple of weeks the romantic secrecy and restriction were themselves becoming painful. The purposeful mornings were thrown askew by the intensity of looking forward to the afternoons. He had to be told things twice, he was in a daze which again might be put down to grief, he got behind with his work while he watched the clock like a schoolboy. It was as if he saw through the plans he was studying to something uncontrolled and turbulent beneath. Justin crowded his thoughts, aroused him and slightly irritated him by having so complete and monotonous a hold on his imagination: he appeared to him both as a devouringly passive lover and as a kind of cock-teaser, a grown-up school tart, with his refusal to be touched, even to be seen, before 2.30 in the afternoon. Robin wore out his most intimate images of him by turning them over so persistently in his mind.
    And then the whole movement of withdrawal, around five o’clock, the friendly but businesslike silence in which they got dressed, the new note of anxiety when Justin checked his watch…and the first seconds of being alone again after the door had shut, Robin wandering sightlessly from bed to desk to sink with the weak smile, tender, rueful

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