The Young Lions by Irwin Shaw

on the high, imposing brow, the bushy white hair, courtly moustache and Vandyke beard, like a Kentucky colonel's in the movies, ludicrous and out of place here, on a dying Jew in the narrow, hired room.
    Noah would have liked to read as he sat there, but he didn't want to wake his father by putting on the light. He tried to sleep, sitting in the single, hard-upholstered chair, but his father's heavy breathing, roaring and uneven, kept him awake. The doctor had told Noah that Jacob was dying, as had the woman his father had sent away on Christmas Eve, that widow, what was her name?… Morton – but Noah didn't believe them. His father had had Mrs Morton send him a telegram in Chicago, telling him to come at once. Noah had sold his overcoat and his typewriter and the old wardrobe trunk, to pay the bus fare. He had rushed out, sitting up all the way, and had arrived in Santa Monica light-headed and exhausted, just in time to be present for the big scene.
    Jacob had brushed his hair and combed his beard, and had sat up in bed like Job arguing with God. He had kissed Mrs Morton, who was over fifty years old, and sent her from him, saying in his rolling, actorish voice, "I wish to die in the arms of my son. I wish to die among the Jews. Now we say goodbye."
    That was the first time Noah had heard that Mrs Morton wasn't Jewish. She wept, and the whole scene was like something from the second act of a Yiddish play on Second Avenue in New York. But Jacob had been adamant. Mrs Morton had gone. Her married daughter had insisted on taking the weeping widow away to the family home in San Francisco. Noah was left alone with his father in the small room with the single bed on the side street a half-mile from the winter ocean.
    The doctor came for a few moments every morning. Apart from him, Noah didn't see anyone. He didn't know anyone else in the town. His father insisted that he stay at his side day and night, and Noah slept on the floor near the window, on a lumpy mattress that the hotel manager had grudgingly given him.
    Noah listened to the heavy, tragic breathing, filling the medicine-smelling air. For a moment he was sure his father was awake and purposely breathing that way, laboured and harsh, not because he had to, but because he felt that if a man lay dying, his every breath should announce that fact. Noah stared closely at his father's handsome, patriarchal head on the dark pillow next to the dimly glinting array of medicine bottles. Once more Noah couldn't help feeling annoyed at the soaring, bushy, untrimmed eyebrows, the wavy, theatrical, coarse mane of hair, which Noah was sure his father secretly bleached white, the spectacular white beard on the lean, ascetic jaws. Why, Noah thought, irritably, why does he insist on looking like a Hebrew King on an embassy to California? It would be different if he had lived that way… But with all the women he'd gone through in his long, riotous life, all the bankruptcies, all the money borrowed and never returned, all the creditors that stretched from Odessa to Honolulu, it was a sour joke on the world for his father to look like Moses coming down from Sinai with the stone tablets in his hands.
    "Make haste," Jacob said, opening his eyes, "make haste, O God, to deliver me. Make haste to help me, O Lord."
    That was another habit that had always infuriated Noah. Jacob knew the Bible by heart, both in Hebrew and English, although he was absolutely irreligious, and salted his speech with long, impressive quotations at all times.
    "Deliver me, O my God, out of the hand of the wicked, out of the hand of the unrighteous and cruel man." Jacob rolled his head, facing the wall, and closed his eyes once more. Noah got up from his chair and went over to the bed and pulled the blankets up closer around his father's throat. But there was no sign from Jacob that he noticed any of this. Noah stared down at him for a moment, listening to the heavy breathing. Then he turned and went to the window. He