41 Stories

41 Stories by O. Henry Page A

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Authors: O. Henry
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mind.”
    Gilbert rushed into another room, and came back burdened with overcoats warranted to turn wind, rain, or snow.
    â€œPut this raincoat on,” he said, holding it for her. “We have a quarter of a mile to go. Old Jack and his sister will be here in a few minutes.” He began to struggle into a heavy coat. “Oh, Nevada,” he said, “just look at the headlines on the front page of that evening paper on the table, will you? It’s about your section of the West, and I know it will interest you.”
    He waited a full minute, pretending to find trouble in the getting on of his overcoat, and then turned. Nevada had not moved. She was looking at him with strange and pensive directness. Her cheeks had a flush on them beyond the color that had been contributed by the wind and snow; but her eyes were steady.
    â€œI was going to tell you,” she said, “anyhow, before you—before we—before—well, before anything. Dad never gave me a day of schooling. I never learned to read or write a darned word. Now if—”
    Pounding their uncertain way upstairs, the feet of Jack, the somnolent, and Agnes, the grateful, were heard.
    Â 
    V When Mr. and Mrs. Gilbert Warren were spinning softly homeward in a closed carriage, after the ceremony, Gilbert said:
    â€œNevada, would you really like to know what I wrote you in the letter that you received to-night?”
    â€œFire away!” said his bride.
    â€œWord for word,” said Gilbert, “it was this: ‘My dear Miss Warren—You were right about the flower. It was a hydrangea, and not a lilac.’ ”
    â€œAll right,” said Nevada. “But let’s forget it. The joke’s on Barbara, anyway!”

Springtime a la Carte
    It was a day in March.
    Never, never begin a story this way when you write one. No opening could possibly be worse. It is unimaginative, flat, dry, and likely to consist of mere wind. But in this instance it is allowable. For the following paragraph, which should have inaugurated the narrative, is too wildly extravagant and preposterous to be flaunted in the face of the reader without preparation.
    Sarah was crying over her bill of fare.
    Think of a New York girl shedding tears on the menu card!
    To account for this you will be allowed to guess that the lobsters were all out, or that she had sworn ice-cream off during Lent, or that she had ordered onions, or that she had just come from a Hackett matinée. And then, all these theories being wrong, you will please let the story proceed.
    The gentleman who announced that the world was an oyster which he with his sword would open made a larger hit than he deserved. It is not difficult to open an oyster with a sword. But did you ever notice any one try to open the terrestrial bivalve with a typewriter? Like to wait for a dozen raw opened that way?
    Sarah had managed to pry apart the shells with her unhandy weapon far enough to nibble a wee bit at the cold and clammy world within. She knew no more shorthand than if she had been a graduate in stenography just let slip upon the world by a business college. So, not being able to stenog, she could not enter that bright galaxy of office talent. She was a free-lance typist and canvassed for odd jobs of copying.
    The most brilliant and crowning feat of Sarah’s battle with the world was the deal she made with Schulenberg’s Home Restaurant. The restaurant was next door to the old red brick in which she hall-roomed. One evening after dining at Schulenberg’s 40-cent, five-course table d‘hôte (served as fast as you throw the five baseballs at the colored gentleman’s head) Sarah took away with her the bill of fare. It was written in an almost unreadable script neither English nor German, and so arranged that if you were not careful you began with a toothpick and rice pudding and ended with soup and the day of the week.
    The next day Sarah showed Schulenberg a neat card

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