didnât answer, the blond went on, âThey think youâre someone else. You look a lot like her actually; itâs kind of marvelous.â
Claire considered this as the blond smiled, drank her beer. The woman was slender, long-legged to spectacular effect in her black Capri pants, and artfully made up. More than anything, though, she was not like the girls before her, and this, Claire realized later, allowed Claire to relax, pick up the conversation politely, and hand it back to the blond.
âIâm a little less confused now. I appreciate your telling me.â
âOh,â the woman said, and waved the sentiment away, âI should have done it earlier, but I was enjoying myself too much.â
âAh, glad to amuse.â
âNo, no. Itâs not like that. Liv has been an assâmy friend, your twin, Livâand this little parade is proof of it. Iâve been enjoying myself at her expense, not yours.â
Claire felt the fetal shift again. She took another drink to avoid speaking.
âSorry,â the blond said. âIâm Bailey. Iâve been kind of an ass myself tonight. Let me buy you a drink.â
âNo bother,â Claire said. âLetâs forget the whole thing.â
They ordered more drinks, and Bailey began to tell Claire a story about the first time that sheâd met Liv in an Early American Literature class as undergraduates. âWe had the most bizarre professorâbeady little mole eyes, random lecturesâbut he could recite anything. It seemed like he had all of literature inside his head. We were afraid of him.
âAnyway, he had us write a daily response, only a page, to our reading assignments and picked someone to read every class. The first time Liv read, I thought Iâd been struck with something. She was talking about how a particular essay gave her a sense of yellow, about how the sentences felt like butter when she read them. Iâd never heard anything like it. I thought, listening to her, that she was some kind of genius.â
Bailey finished her drink. She looked at Claire, and blushed. âItâs funny. Iâve never said that to her. And I can only tell you because you arenât her. Isnât that strange?â
âLet me buy you another drink,â Claire said. And Bailey agreed, smoothed her finger across her lower lip as though she were applying gloss.
âIâve been back in Spokane,â Bailey was saying, âfor eighteen months and I canât meet anyone. Iâve got a great job and I love my house and I just canât seem to meet anyone.â
âItâs easy to be isolated here. I think this is where people come to be left alone.â
âToo alone. People here are too alone. Itâs not good for people to be so alone.â
Claire thought of her own loneliness, and agreed.
âIâm almost thirty years old,â Bailey went on, âand I thought my life would mean something by now. No, donât look at me like that; Iâm talking about real meaning. Let me tell you something. My grandmother lived in a retirement home on the South Hill and I used to go up there in the afternoons to sit with her. Weâd read or talk or whatever. And one day she tells me, âLove, Bailey, love is a collision.ââ
Bailey took another drink. âWait, Iâm telling this wrong. My grandmother was married for sixty years when my grandfather died of liver cancer. Fucking horrible. He lost half his body weight before he finally died, in constant pain. Horrible. And my grandmother, she was made of steel then. That whole time he was sick, she took care of him.
âSo this day in her apartment weâre talking about my grandfather, and how she met him and when she knewâyou knowâknew that he
was the one. She tells me, âLove is a collision. It blows out the glass, and bends the fenders, and wrecks the engine, and it moves you. My god, it
Kristin Billerbeck
Joan Wolf
Leslie Ford
Kelly Lucille
Eleanor Coerr, Ronald Himler
Marjorie Moore
Sandy Appleyard
Kate Breslin
Linda Cassidy Lewis
Racquel Reck