pictures. Behind this nucleus were several other men and women.
Forefront in the vanguard group was a tall, fortyish man with an older woman on his arm. She was the one person in the group who didnât look direct from a Vogue evening-wear issue: white-haired, plank-faced, pale, eyes as dark as coal. A large woman, she wasnât obese, but sturdy, a prize Holstein in a designer toga.
The tall man escorted her to the unoccupied tables as pout-mouth whisked away the RESERVED placard. Only after she had sat and nodded did the others take seats.
I chuckled at the spectacle. âLooks like Buckingham Palace let out.â
âItâs the Kincannons, Carson. Surely youâve heard of them.â
It struck a chord. âThereâs a big plaque at the police academy that mentions a Kincannon something or other. Maybe a couple huge plaques. A program?â
âA grant, I imagine. The family is big on grants and donations and endowments.â
I studied the tall man: well-constructed, his tuxedo modeled to a wide-shouldered, waist-slender frame. His face was lengthy and rectangular; had he wished to ship the face somewhere for repairs, it would have been neatly contained in a shoe box. Judging by the admiring glances of nearby women, however, it was a face needing neither repair nor revision. He seemed well aware of this fact, not standing as much as striking a series of poses: holding his chin as he talked, crossing his arms and canting his head, arching a dark eyebrow while massaging a colleagueâs shoulder. He looked like an actor playing a successful businessman.
âWhoâs the pretty guy working the Stanislavsky method?â I asked. âSeems like Iâve seen him before.â
A pause. âThatâs Buck Kincannon, Junior, Carson. Sort of the scion of the family.â
âHow are scions employed these days?â I asked. âAt least this scion.â
âThe man collects cars and art and antiques. Sails yachts. Breeds prize cattle.â
âGood work if you can get it,â I noted.
âHe also runs the familyâs investments. The Kincannons have more money than Croesus. Buck keeps the pile growing.â
The funds would be fine if they grew as fast as the throng gathering to acknowledge the late arrivals, I thought. An overturned beer truck wouldnât have pulled a crowd faster. Several notables hustled over: an appellate judge, two state representatives, half the city council.
âWhatâs the connection to the station?â I asked.
âThe familyâs one of the major investors in Clarity, part of the ownership consortium. Buck Kincannonâs my boss, Carson. Way up the ladder, but the guy who makes the big decisions.â
Clarity Broadcasting owned Channel 14 and a few dozen other TV and radio outlets, primarily in the South, but according to newspaper accounts they were pushing hard toward a national presence.
âWhoâs the older woman?â I asked.
Daniâs voice subconsciously dropped to a whisper. âMaylene Kincannon. Queen Maylene, some people call her. But only from a distance. Like another continent. Buckâs the oldest of her kids, forty-one. Beside Buck is Racine Kincannon and his wife, Lindy. Racineâs thirty-eight or so. The guy closest to Mama is Nelson Kincannon, thirty-four I think.â
âWho are the others with them?â
âCongressman Whitfield to the right, beside him is Bertram Waddley, CEO of the biggest bank in the state, next to Waddley isââ
I held up my hand. âI get the picture.â
I turned from the hangers-on and scanned the brothers: Buck, Racine, Nelson. Though the angular faces werenât feminine, the men seemed almost gorgeous, their eyes liquid and alert, their gestures practiced and fluid.
My eyes fell on the matriarch, lingered. Though her skin was pale and her hair was snow, nothing about her said frail. She looked like she could have wrestled
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