and even the colourful paintings on the walls of the halls – were not invented there. They were first made not in Greece or in Troy, but on an island nearby. This island is called Crete. There, at the time of King Hammurabi – do you remember when that was? – the Cretans had already built splendid royal palaces, with innumerable rooms, staircases running up and down in all directions, great pillars, courtyards, corridors and cellars – a veritable labyrinth!
Speaking of labyrinths, have you ever heard the story of the evil Minotaur, half man, half bull, who lived in a labyrinth and made the Greeks send him seven youths and seven maidens each year as human sacrifices? Do you know where that was? It was in Crete, so there may be some truth in the story. Cretan kings may once have ruled over Greek cities, and those Greeks may have had to send them tribute. In any event, these Cretans were clearly a remarkable people, even if we still don’t know much about them. You only have to look at the paintings on the walls of their palaces to see that they are unlike any made at the same time in Egypt or in Babylon. If you remember, the Egyptian pictures were very beautiful, but rather severe and stiff, a bit like their priests. This was not the case in Crete. What mattered most to them was to catch animals or people in rapid motion: hounds chasing wild boar, and people leaping over bulls – nothing was too hard for them to paint. The kings of the Greek cities clearly learnt a great deal from them.
But by 1200 BC this time of splendour was over. For it was at around that time (some two hundred years before the reign of King Solomon) that new tribes came down from the north. Whether they were related to the former builders of Mycenae nobody knows for sure, but it is likely. In any event, they drove out the kings and installed themselves in their place. Meanwhile, Crete had been destroyed. But the memory of its magnificence lived on in the minds of the invaders, even when they founded new cities and built their own shrines. And as the centuries went by, the tales of the kings of ancient Mycenae became confused with those of their own battles and conquests, until they became part of their own history.
These newcomers were the Greeks, and the myths and songs sung in the courts of their nobles were the very same Homeric poems with which this chapter began. It is worth remembering that they were composed shortly before 800 BC .
When the Greeks came to Greece, they were not yet Greeks. Does that sound strange? Yet it is true. For the fact is that when the tribes from the north first invaded the lands they were to occupy, they weren’t yet a unified people. They spoke different dialects and were obedient to different chieftains. They were tribes rather like the Sioux or the Mohicans you read about in stories of the Wild West, and had names such as the Dorians, Ionians and Aeolians. Like the American Indians they were warlike and brave, but in other ways they were quite different. The native Americans were familiar with iron, while the people of Mycenae and Crete – just as the songs of Homer tell us – had weapons made of bronze. And so these tribes arrived, with their wives and their children. The Dorians pushed furthest, right down into the southernmost tip of Greece which looks like a maple leaf and is called the Peloponnese. There they subdued the inhabitants, and set them to work in the fields. They themselves founded a city where they lived, and called it Sparta.
The Ionians who arrived after the Dorians found there was not enough room for them all in Greece. Many of them settled above the maple leaf, to the north of its stalk, on a peninsula called Attica. They made their homes by the sea and planted vines, cereals and olive trees. And they, too, founded a city, which they dedicated to the goddess Athena – she who, in the Homeric songs, so often came to the rescue of Ulysses the sailor. That
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