in that primitive condition where she was able to pay healthy respect to - Douglas, for instance.
She looked at him now with a rather wistful curiosity. He lay on his back, easily outstretched among the sheets and blankets. He was handsome when he slept. His face was open and rather flushed. An outflung arm, as if it had just fallen loose from the act of throwing something, lay in a calm, beautiful line from waist to shoulder. The upper part of his body emerging from the clothes, was solid, compact, the flesh clear and healthy; a light sprinkling of freckles over white, bright skin. He looked stern and dignified, sealed away from her in his sleep, and restored to the authority of good sense. Martha’s respect for him was now deep and genuine. She thought, with a simplicity which was authorized and confirmed by the dignity of his face, I shall say we must stop being married; he won’t mind.
When he woke, everything would be explained and settled.
Waiting for him to wake, she sat up and looked out. The town, no less than the fun fair, looked small and mean after the hazy splendours of the night. The two big blocks of flats opposite rose white and solid, but rain had streaked their sides into dinginess. Their windows were dead and asleep. Beyond them, half a dozen business houses, their surfaces clean with paint, glossy with money; and beyond these again, the tin-roofed shanties of the Coloured town, which marked the confines of order; for on two sides of this organized centre stretched the locations, or straggling slums where the Africans were. From a single small window she could overlook at least three worlds of life, quite separate, apparently self-contained, apparently linked by nothing but hate … But these familiar ideas, sprung in her mind by the simple act of looking through a window, were too much of a burden this morning. First Douglas should wake, and then it would be time to look out of the window. She might suggest to him, for instance, that he should at once throw up his job, and they should go and ‘live among the people’.
She sprang out of bed, but noiselessly, and went next door to the living room. There, as she expected, lay a small heap of letters where Douglas had flung them down the night before. She carried them back to bed with her. Most were ofthat sort which people write to those getting married, in order that they may say with pride, ‘We have had so and so many letters of congratulation.’ At least, Martha could not yet see letters of politeness in any other way. She therefore tossed them aside, and took up one from her brother, now at the University of Cape Town. It was a good-humoured letter, full of determinedly humorous tolerance; their relations were always harmonious; in order that two people may quarrel they must have something in common to quarrel over.
The next, also from the university, was from Joss Cohen. She opened it with the most vivid delight; she even held it unopened for a moment, to delay the pleasure of reading it. What she expected from it was - but what did she not expect from Joss Cohen! At last she opened it. Four lines.
Dear Matty,
Your brother mentioned that you got married last week. I must admit this was something of a surprise. However, please accept my congratulations. I hope your marriage will be happy and prosperous.
yours,
joss
She put it down slowly, flushing with hurt anger. It was that word ‘prosperous’ which stung her. Then she reread it, trying to revive him as he really was, since these colourless lines could have no power to evoke him. She admitted at last that she felt abandoned because he had not thought her worth even the trouble of a sarcastic phrase. Very well, then: she dropped the letter into the pile of purely formal ones.
The third was from Marnie Van Rensberg, on blue paper with a pink rose in one corner.
Dear Matty,
Mom told me your news this morning. She heard it from your Mom at the station when she went in to get the mail. I
Alexander McCall Smith
Nancy Farmer
Elle Chardou
Mari Strachan
Maureen McGowan
Pamela Clare
Sue Swift
Shéa MacLeod
Daniel Verastiqui
Gina Robinson