A Tree on Fire by Alan Sillitoe Page B

not mine. My part of it’s out of your hands. And it’s safe in mine.’
    â€˜I wasn’t serious about ending it. Stop this talk.’
    â€˜I shan’t. You were thinking it. You’ve often hinted it. If you want to run off with some girl for a dead and comfortable life, it’s up to you, but I’d never forgive you your lack of backbone in doing it.’
    He smashed his fist on the table, shaking half his coffee out. ‘You’ve said enough. Stop it. You’re poisoning it. I can’t stand to have my love killed. The ancient feminine wrecker is on the move again!’
    She stood by the sink, hands shaking, turned on a tap to stop them. Water ran out uselessly. ‘I’ve said all I want, but if you think I was raving like a lunatic, and that what I’ve said doesn’t mean anything, you’re a fool.’
    â€˜You open your mouth, and kill things. It’s disgusting.’
    â€˜Go on. I’ll never stop you. Why don’t you just go outside and throw up that rotten bile that’s choking you? Just because some tuppenny journalist has been twisting you around his little finger you have to come in and vent you spleen on me. Not, I notice, until after you’ve had your dinner. Oh no! Food usually sweetens people, but it makes you bilious and sour. I won’t put up with your tantrums. You’re not dealing with those spineless people from London who only say “What a genius!” but never see you as you really are.’
    â€˜So that’s it! Jealous, are we? Jealousy brings out the spite, and all the things you weren’t quick enough to get out in our other quarrels but remembered afterwards when you brooded on them. Jealous! I thought you were bigger than that, sweeter and bigger, more intelligent, perhaps. But no.’
    â€˜Life’s full of disappointments for the poor of spirit,’ she mocked.
    â€˜Turn that tap off. You’re wasting water.’
    â€˜I’m not the gallery owner. You don’t have to act the knowing peasant with me!’ But she turned it off, and wiped up his coffee mess. He snatched the rag, and threw it like a dead cat into the sink. ‘You’re going right to the bottom,’ she said. ‘One move and down you go, right into the mud. And once you’re there you’re like an alligator that rips at any living thing.’
    They stood at each end of the kitchen. ‘You can’t run my life,’ he said. ‘You never could and you never will.’
    â€˜It’s not worth running. Keep your life and foul it up in your own way. But leave mine alone. I want it for myself, out of what’s been good between us.’
    â€˜Have it, then. I’m making you a present of it, tie it up in an old chocolate-box with blue ribbon. I’ll get the undertaker to make you a coffin, bury it with a bloody prayer book, send it to the bottom, all your love and ideals. You can have them, mine as well, when they take a turn for the worse like this.’
    He didn’t see her hand shift. A full dinner-plate seemed to cut off the top of his head, stutter and break on the doorpost behind. ‘I don’t want this sort of marriage,’ she raved. ‘It’s nearly twenty-five years, and I’ve not put up with this. It’s low. It’s ignoble.’
    He staggered, eyes closed, a wetness above the left eye. The salt of blood stuck like a leaf on his palate. ‘I know,’ he said. ‘We had fine instincts, but you want to alter all that, crush it, destroy it.’ He spoke calmly, a ribbon of blood on his face. ‘You can’t do such a thing to me. I’m even more in the real world than you are.’ Keep away from it, he said to himself, a precipice in front of him, don’t throw anything. Smile. For Christ’s sake lick away the blood and smile, or it’s over for ever. Twenty years in jail and only bars to paint.
    â€˜You’re