stopped in London for a whirlwind buying tour. Lord Whitfield had insisted, and Lady Valéry agreed, that Mary be outfitted with garments from the inside out. The new styles, the modiste had explained, eschewed whalebone corsets and petticoats. Instead, Mary wore a high-waisted satin and velvet gown over nothing more than a chemise and underpetticoat. Worse, as theyâd traveled south into Sussex, the weather had grown warmer and sheâd had to discard her pelisse.
Now Lord Whitfieldâs fingers pressed into her ribs, his palm rested on her thigh, and the contact sheâd been scrupulous about avoiding, that of flesh against flesh, was sensuous reality. When the material slipped, he touched her in a new place. When he adjusted her in his arms, he violated another portion of her skin. With each breath, his chest moved against her and she clasped one hand over her stomach to ease the anguish. This wasnât traveling sickness, but the sickness of a woman so accustomed to loneliness, sheâd forgotten the comforts of human touch.
Lord Whitfield reminded her of that too forcibly as he carelessly stripped the cushion of time and distance away, and she feared that when he finished with her, she would once more be needy, dependent Guinevere Fairchild.
Worse, he would know, and revel in it. She had no illusions about Lord Whitfield. He would use her, and if he hurt her in the process, he would consider that a bonus.
Sheâd met a man like him before. Sheâd killed a man like him before.
âI donât mind if you look sick,â Lord Whitfield said in an undertone. âBut do you have to look frightened, too?â
âI am frightened.â Not of the Fairchilds, as he imagined, but of him.
âDo you want them to know?â
âOf course I donât want them to know.â He made her so angry. âI donât want them to know anythingabout me. But youâve taken care of that, havenât you?â
A small grin tugged at his mouth. âNow you look incensed. Thatâs better, I suspect.â He rejoiced, she knew, in his role of conqueror, returned from battle with his spoils. With her. If heâd planned it, he couldnât have created a better scene than this.
âHave you got her?â Lady Valéry leaned on the cane she seldom used, giving the impressionâfalse, as Mary well knewâof fragility. âPoor dear,â she said to Mary. âIâll wager this is not how you pictured your return.â
âI never pictured my return at all,â Mary answered, and it was true. Imagining Fairchild Manor and all its inhabitants crushed by her magnificence had been one of the many satisfying fantasies sheâd not allowed herself.
âWeâre here now,â Lady Valéry said. âThe worst is over. You wonât have to travel again.â
âUntil we leave.â As miserable as Mary had been during travel, she still hoped they would leave soon. Now would be even better.
âLet us complete our mission.â Lord Whitfield swept an austere glance about them. âThen weâll discuss escape.â
What was it he saw that put that expression of disgust on his face?
Cautiously she lifted her gaze to the facade of her ancestral home.
She had hoped that her youthful fancy had createda structure bigger and brighter than it really was, but no. The gleaming white marble edifice hadnât shrunk in the intervening years. The mansion still swallowed the sky with its height and spread like a bloated belly across the Sussex plain. Each finial, each cupola, each balcony, had been chosen with care to create an overall impression of wealth. Fabulous, overwhelming, consumptive wealth.
Emotions buffeted her. She wanted to shrivel with shame. She wanted to scream with rage. She wanted to own part of, be part of, the Fairchild legacy.
Yet she hated the house, the legacy, and the Fairchilds, and nothing could change that. Nothing,
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