start.â He tilted his head and looked at her. âWhat happened to if you stared at a blank screen long enough youâll get bored and write something on it?â âI did say that.â She thought for a moment. âBut it helps if you know what youâre going to write.â He snorted. âAre you going to give me the pantsers-and-plotters speech again?â âThat was a definition, not a speech. But Iâll remind you what I said about talking out the plot. Discussing the heroâs goals. His mind-set since we last saw him.â âAny thoughts on that?â He all but growled those words, as if his asking-for-assistance muscles were rusty. âYes. But feel free to tell me Iâm full of it. The point is to toss out ideas and see what feels right in your gut.â She slid her fingertips into the pockets of her jeans. âMac had no emotional growth in the first book because he went into fight-or-flight mode almost right away.â âSo heâs still aimless.â âRight. Unless heâs independently wealthy, he has to have been thinking about what heâll do to support himself since leaving the military.â Her mind was spinning. âCome to think of it, we donât really know why he left. He was a career soldier and his reasoning could be explored in this book.â Jack nodded absently. âYeah.â That was encouraging, she thought. An affirmative instead of sarcasm. She dipped her toe in a little further. âWhen we get back, it might help to just talk it through and you could take notes. Or record the conversation if youâd rather. Instead of jumping straight into the writing, you can figure out the inciting incident that sets the story in motion, then some loose turning points as a structure for the story.â âAnd tomorrow there will still be a blank screen.â âGive yourself permission to write badly,â she suggested. His look was wry. âYeah, because thatâs what I learned in the army. Permission to be a screwup, sir.â âMaybe it sounds crazy, but you might find it surprisingly freeing.â âAnd thatâs supposed to be creative?â he asked skeptically. âWonât know unless you try.â She thought for a moment. âSome authors start their day by jotting down stream-of-consciousness writing.â âYou mean gibberish?â âProbably not something youâd publish,â she admitted. âThen I guess you could say Iâve already done that. The pages you read are unpublishable and probably fall into the stream-of-consciousness category,â he said sarcastically. âThatâs not what I meant. You just write whatever pops into your mind,â she explained. âSounds like a waste of time if you ask me.â âItâs just an exercise.â Erin glanced up at him and felt a little flutter around her heart, the one that made it hard to take a deep breath. The way his biceps strained against the material of his black T-shirt made her want to touch and find out for herself what they felt like. It was obvious that Jack was in excellent physical condition, which meant heâd retained habits from his time in the army that kept him in shape. She knew he ran three or four times a week. There was workout equipment in the upstairs bedroom. One didnât just jump into a fitness regime. Maybe she could explain this to him in a relatable way. âWhat do you do before a run?â she asked. His gaze narrowed on her. âWhy?â âBear with me. I have a point.â Their shoulders brushed as they walked. Personally she was glad the bushes and trees around them werenât tinder-dry because the sparks would have ignited them. She drew in a breath. âWhatâs your preexercise routine?â âI stretch out. Warm up.â âExactly.â He looked at her as if she had a snake draped