partner, Special Agent Ballew.”
“May we come in, ma’am?” Sally asks.
“Please.”
The small development house is every bit as hot as Forbes expected it would be. Mrs. Garrity leads them into a tiny living room furnished with a sofa and two easy chairs slip-covered in paisley. She offers them iced tea, goes out into the kitchen to get it, and then sits opposite them on the sofa. The two agents sit on the easy chairs, facing her.
“So,” Forbes says, “what’s this about a kidnapping?”
He frankly finds it difficult to believe that the Cape October cops would not have acted swiftly on any report of a kidnapping. These days, however, with terrorists of every stripe and persuasion apparently slipping through the fingers of the FBI and the CIA and the INS, he would be foolish not to investigate any errant phone call, even from someone like Mrs. Garrity here, who, to tell the truth, looks a little too eager to attain her own fifteen minutes of fame by becoming the star of a little kidnapping melodrama she herself has concocted. Sally is thinking the same thing. But they are here to listen.
Mrs. Garrity tells them about being at the Glendenning house yesterday afternoon when Alice Glendenning got home from work, and then about the kids not being on their regular bus, and then about the phone call from this woman who sounded black, according to Mrs. Glendenning, anyway, who told her not to call the police or the children would die.
“Were you listening to this phone call?” Sally asks.
“No.”
“Then how do you know what she said?”
“Mrs. Glendenning repeated the conversation to me.”
“This woman said she had the children?”
“Yes. And she said not to call the police or the children would die.”
“You didn’t hear the caller’s voice, is that it?”
“I did not hear it. That’s correct.”
“Then how do you know she was black?”
“Mrs. Glendenning said she sounded black.”
“She volunteered this information?” Sally asks.
“No, I asked her was the woman white or black. She said she sounded black.”
It so happens that Sally herself is black. Forbes hopes she is not about to get on her high horse here with a lot of racial attitude that has nothing to do with why they’re here. If the woman on the phone sounded black, then she sounded black. There is nothing wrong with sounding black if you sound black. Which Sally herself, by the way, sounds on occasion. Like right this very minute, for example.
“So what happened after this phone call?” Forbes asks.
“I advised her to call the police. She told me no.”
“Then what?” Sally asks.
There is still an edge to her voice. She is still bridling because she thinks Mrs. Rose Garrity here was doing a bit of racial profiling yesterday when she asked if the caller was white or black. It seems to Forbes that this is a perfectly reasonable question to ask in law enforcement, where a person’s color or lack of it might be a clue to the person himself or herself—yes, and how about that, for example? For example, is it wrong to ask if a person is a man or a woman? Is that profiling, too? You can carry all this stuff just so far, Forbes thinks, and says again, “Go on, Mrs. Garrity.”
“When I got home last night, I called the police. I spoke to a Detective Sloane there…”
“Must be Wilbur Sloate she means,” Sally says. “CID.”
“Was that his name, ma’am? Detective Sloate. S-L-O-A- T -E?”
“I thought he said Sloane.”
“Well, maybe there’s a Sloane up there, too,” Forbes says.
“I thought that was what he said his name was.”
“So what happened?”
“He said he’d get on it right away.”
“So why’d you call us, ma’am?” Sally asks.
“Because when I spoke to Mrs. Glendenning this morning, she told me she was alone. And I figured if Detective Sloane, I’m sure his name was, had got right on it the way he said he would, then she wouldn’t be alone in her house when her children are in
Linda Westphal
Ruth Hamilton
Julie Gerstenblatt
Ian M. Dudley
Leslie Glass
Neneh J. Gordon
Keri Arthur
Ella Dominguez
April Henry
Dana Bate