All The Way

All The Way by Charles Williams Page A

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Authors: Charles Williams
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cigarette holder, and go round tossing pills into my face, what does it buy? I still won’t look like him, and I wouldn’t fool anybody who’s seen him since he was fifteen.”
    “You won’t have to, obviously. None of the people you’ll be in contact will ever have seen him at all. And they never will.”
    “But you’re forgetting something. As soon as he disappears, they’re sure as hell going to see photographs of him.”
    “No,” she said. “That’ll be taken care of.”
    “How?” I asked.
    To be of any value in tracing him they’d have to be good likenesses and taken within the past ten years. There aren’t too many. I have most of them, and I know where the others are. He had one made for that saccharine little bitch about two months ago, but we can forget it. It’s one of those gooey and dramatic things with a ton of glamor and no resemblance.”
    “All right,” I said. “Tell me the rest of it.”
    She told me. She talked for twenty minutes, and when she was through I was glad she didn’t hate me. Chapman didn’t have a chance. It was brilliant, and it was deadly, and I couldn’t see a flaw in it anywhere.
    * * *
    I awoke early the next morning, before seven o’clock, but she was already up. She stood in the doorway in blue lounging pajamas, sipping a glass of orange juice.
    “The coffee will be ready in about five minutes,” she said.
    I lit a cigarette and propped myself on an elbow to look at her. “If I were a sculptor, I’d capture that head or go crazy and kill myself.”
    She glanced coolly at her watch. “Never mind capturing my head; you’re supposed to assimilate what’s in it, and we start in ten minutes. When you shave, don’t forget the mustache.”
    She sounded crisp and efficient, and I found out before the day was over I didn’t know the half of it. She had a genius for organizing material, and she was a slave-driver. By the time I’d showered and put on light slacks and a T-shirt, she had my coffee and orange juice ready on the coffee table in the living room and was seated with hers on one of the hassocks at the other end of it. Between us was the tape recorder. The microphone was mounted on a little stand, facing her, and beside it were some boxes of tape and two stenographer’s notebooks.
    “I’ll be working from shorthand notes,” she said, “so there’ll be no lost motion, and when we come to a stop we’ll stop the tape. But before we start, we’d better break the job down and analyze it.”
    ”Right,” I said. “How many people do I have to talk to, and how often?”
    “Two,” she said. “Chris Lundgren at the broker’s office in New Orleans, nearly every day. And to her, every day. Her name, incidentally, is Coral Blaine.”
    I drank some of the coffee, and thought about it. “It’s rough. Look at it—I’ve got to know everything about Chapman that these people know, and everything about these people that Chapman knows, plus a thousand business details and dozens of other people. It’s damn near impossible.”
    She interrupted. “Of course it’s impossible; no mind could absorb all that in eight days. But you don’t have to.”
    “No?”
    “Of course not.” She waved a slim hand. “You don’t have to pass an examination in all this stuff; all you have to do is carry on two or three short telephone conversations each day without making a really dangerous mistake. analyze it; what does it take, actually? A quick mind—which you have—some ability in bluffing and improvising, a grasp of most of the salient and obvious facts and a few of the ones that only Harris Chapman could possibly know, and there you are—the illusion is complete. And don’t forget, you’re always in control of the conversation; you’re the boss. When you see you’re about to get in over your head, change the subject. And in the end, there’s nothing connecting you but a piece of wire. Break it. And call back later with the right information. You’ll have a

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