face as wrinkled as a raisin. She called us âhoneyâ or âdarling,â and once she had served our coffee and pastry, she came over several times to see if there was anything else we needed and to refill our cups.
I was nervous, but that didnât stop me from eating my pineapple danish and half of Mamiâs and drinking two cups of strong coffee with cream and lots of sugar.
âShe eats, for such a skinny thing,â the waitress said to Mami, and she nodded and smiled as if she understood.
We walked the half block to the school, and as soon as I was called into the audition room, I was sorry there was so much food in my stomach. My innards churned and churled, and if the interview wasnât over soon, I might vomit in front of the three
ladies in whose hands lay my future as an artista. But I managed to get through the monologue and a pantomime and to walk out of the heavy red doors of the school before throwing up between two parked cars as Mami held my hair back and fussed, âAre you all right now? Are you okay?â
On the way home she asked what had happened in the audition, and I said, âNothing. I answered some questions and did my monologue.â
I couldnât tell her that Iâd been so nervous Iâd forgotten everything learned from Mr. Barone, Mr. Gatti, and Mrs. Johnson. I raced through the monologue, toppled a chair, answered questions without understanding what I was asked. I wouldnât tell Mami how badly Iâd done after sheâd spent money we couldnât waste on a new outfit and shoes for me. I was ashamed to return to JHS 33 and tell Mr. Barone that Iâd bungled the audition. Everyone would laugh at me for presuming I could get into Performing Arts, then fail to get in, in spite of all the help Iâd been given. I imagined myself in school with Lulu and Violeta, LuzMari and Denise, who would never let me forget I thought I was too good for them. Mornings, while I took the bus to Eli Whitney, Natalia would be on the train to the Bronx High School of Science. Iâd have nothing to talk to her about, because sheâd be busy preparing for college, while Iâd be sewing underwear in a factory alongside my mother.
As Mami and I rode back, the train charged out of the tunnels, clattered over the Williamsburg Bridge toward Brooklyn. The skyline of Manhattan receded like an enormous wall between us and the rest of the United States. My face away from Mami, I cried. At first my tears came from the humiliation of what I was sure was a terrible audition. But as we neared our stop in Brooklyn, I cried because the weeks of anxious preparation for the audition had left me longing for a life I was now certain Iâd never get.
âBut theyâre still legitimate . . .â
As Mamiâs belly grew larger, she had trouble moving around because her legs and back hurt. She quit her job, and I again accompanied her to the welfare office.
âI need assistance until the baby is born and his father is out of the hospital,â she had me translate.
âAnd how long have you and Mr. Cortez been married?â the social worker asked.
âWeâre not married,â Mami said. âWeâve lived together for the past ten months.â
The social worker pressed her lips together. âDoes your first husband provide child support?â
âNo.â
âHow long since youâve been divorced?â
âTell her,â Mami said, âthat your father and I werenât married.â
The social worker gripped her pen, and her slanted, left-handed writing crawled across lined paper like rows of barbed wire.
âThen the seven older children are also illegitimate,â she said, and Mami blushed, although Iâd not yet translated.
âTheir father has recognized them all,â she had me interpret, pulling our birth certificates from her purse.
âBut theyâre still illegitimate,â the social
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