light was bad. You cannot be certain of what you saw. A flapping curtain perhaps . . .â
Sheâd put down her fork altogether, was not even making the pretence of eating. I wanted to put my hand across the table and touch her for reassurance but I did not move.
âI am sure. It was him.â
âYou didnât see his face?â
âNo. What difference would that make?â
Because you could have told whether he was happy or sad from his expression
, I wanted to say. But ghosts are unhappy by definition, arenât they? Especially the ghost of a husband who has been snatched away by the plague. If they come back, it must be because they are looking for something. Or if not something, then somebody.
âWhat difference?â repeated Mrs Buckle.
âNo difference probably, I donât know,â I said. âTry not to think of it, Mrs Buckle. Tell me about something else.â
And I started on my supper once more. I thought it was best not to humour her belief that she was seeing her dead husband. Perhaps I didnât want it to be true, either. She had seen her husband several times before, as a ghost, that is.
âStill bad news,â she said. âYou know that Lizzie and I are here on sufferance.â
She gestured vaguely at the room, meaning to take in the entire house.
âBut you pay rent. Anyway the landlord is your late husbandâs cousin, I think you said.â
âHe is a cousin to Hugh, yes. And we do not pay much rent. In truth, Nicholas, the money you give us goes quite a long way towards meeting his demands. But now . . . now he is asking for more, much more.â
âBut why?â
âHe says things have changed since the pestilence last year. Enough time has gone by, and property is starting to get expensive again. He can rent more profitably to others. Of course we could stay if we could afford it.â
She sounded defeated rather than distressed. I wanted to help her. I would have helped her if Iâd been able to but what can a player on a shilling and threepence a day do? Nevertheless my heart went out to her and this time I did stretch my hand across the table and rest it on hers. She allowed my hand to stay there for quite a time before slipping hers out from underneath.
âI nearly forgot, you had a visitor earlier today,â said Mrs Buckle.
âI did. Who was it?â
âHe didnât give his name. Just asked whether Nicholas Revill the player lived here.â
I paused with the knife halfway to my mouth.
âHe didnât say why he wanted me?â
âNo. He didnât seem inclined to say much.â
âBut he knew I lived here.â
âIs it a secret?â
Now it was my turn to feel a little uneasy although I couldnât have accounted for the feeling.
âWhat did he look like?â
âOrdinary.â
âWearing a red doublet?â
âWhy yes, I think he was. A red doublet. So you have seen him after all?â
âNo â I â itâs just that I think I know who he might be.â
But I had no idea who he was, of course, except that it must be the figure Iâd glimpsed behind me in Thames Street.
O heavy ignorance!
B en Jonson had organized a rehearsal of his
Masque of Peace
for the next morning at the house of Sir Philip Blake. Several of the performers would be there (although not the Queen, I assumed). I set off from Mrs Buckleâs lodgings and made my way down Ludgate Hill and Fleet Street. A heat-haze was already forming, turning figures in the distance into insubstantial shapes, mere ghosts. I thought of what my landlady had told me about glimpsing her late husband as he climbed the stairs. It was the third or fourth time sheâd told me of such a sighting. The detail of watching the hem of his coat, the back of his head, gave a curious truthfulness to the story. But I didnât know whether to believe her. She would not lie â but anyone
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