her sister-in-law had arrived, and then longer, until it was nearly spentâand then sheâd seen the uselessness of everything and had realized that she had a few words to say to Bill Houston. His departure had looked like the end of their involvement. But it was not the end. You got so you could feel these things.
Now she stood on Clark Street out of ideas. Miranda straddled the suitcase, riding it like a horse. There werenât any hotel-type monstrosities in sight. Some of these theaters looked all right, and some of them looked like X-rated. The two or three restaurants she could see were closed. A bitter wind seemed to blow the light around among the buildings. None of these people they were among now looked at all legitimate.
âMa-ma,â Miranda said, âMa-ma, Ma-ma, Ma-maââjust chanting, tired and confused. A man in a cheap and ridiculous red suit standing two yards away seemed to be taking an unhealthy interest in her as she bounced on the suitcase. âCome here, hon,â Jamie said, yanking her off it by the arm. The man kept looking at them. âYou are sick,â she told him. The El train screeched around a curve in the tracks a half block away. Everything suddenly seemed submerged in deafness. âShit,â Jamie said. âMy eyeballs feel like boiling rocks.â
âWhat?â Miranda peered up at the shadow of her motherâs face. âLemme see, Mama.â
The man in the red suit had approached. âGood evening.â Hands jammed in his pockets; collar turned up.
âI hate this part,â Jamie said. âI hate the part where the hilljack in the red suit says good evening.â
âIâm not a hilljack,â the man said. âI know everybody from here to about six blocks north of Wilson.â
âI lack the strength to talk to you,â Jamie said.
âWell, I just thought I could probably help you.â He gestured, palm up, toward Miranda, and the suitcase, and then the baby in Jamieâs arms, as if introducing her to her difficulty. âI drank two cups of coffee in the lounge thereââwith the same hand, he now included the bus station behind them among her troublesââand you were just kind of hanging around inside the door the whole time. Now youâre out side the door. I mean, are you waiting for somebody? Whatâs your story?â He had a thinly nervous quality of innocenceâhe seemed, all of a sudden, not too dangerous.
âI havenât got a story,â Jamie said. âIâm on empty.â
âI really donât care what you think of my suit,â the man said. âI donât have to explain anything to anybody about my suit. Iâm on Voke Rehab, is the thing. I have a disease. I donât need to work or buy or sell. Do you know what?â he said to Miranda. âAll I ever do is go in one joint after another, and talk to the people about anythingâwhatever they want to talk about. Thatâs how I know everybody from here to Wilson and beyond. So I wanted to help your mother, but she just thinks Iâm a hilljack in a red suit or something. Is this one a boy or a girl?â he asked Jamie, peering closely into the shadowed face of Baby Ellen, wrapped in a blanket and nestled in her motherâs arms. âGot black eyes.â
âGirl,â Jamie said.
âIf youâre waiting for somebody,â the man said, âtheyâre sure taking their time, whoever they are. Are you waiting for somebody,â
âIâm looking for somebody. Not waiting. Looking.â
âWho are you looking for? Jeez, itâs cold. Letâs get out of this winter.â He pushed backward through the glass doors of the station, dragging the suitcase with both hands, drawing Jamie and Miranda after him as if by the influence of a galactic wind. âWho are you looking for?â In the brighter illumination, his suit was revealed to be
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