in ink with a fountain pen. The bright, wet slickness of the new.
Standing there in that impossible place, I said it before the surveyor could, to own
it.
“Something below us is writing this script. Something below us may still be in the
process of writing this script.” We were exploring an organism that might contain
a mysterious second organism, which was itself using yet other organisms to write
words on the wall. It made the overgrown pool of my youth seem simplistic, one-dimensional.
We turned our lights back on. I saw fear in the surveyor’s eyes, but also a strange
determination. I have no idea what she saw in me.
“Why did you say something?” she asked.
I didn’t understand.
“Why did you say ‘something’ rather than ‘someone’? Why can’t it be ‘someone’?”
I just shrugged.
“Get out your gun,” the surveyor said, a hint of disgust in her voice masking some
deeper emotion.
I did as I was told because it didn’t really matter to me. But holding the gun made
me feel clumsy and odd, as if it were the wrong reaction to what might confront us.
Whereas I had taken the lead to this point, now it seemed as if we had switched roles,
and the nature of our exploration changed as a result. Apparently, we had just established
a new protocol. We stopped documenting the words and organisms on the wall. We walked
much more swiftly, our attention focused on interpreting the darkness in front of
us. We spoke in whispers, as if we might be overheard. I went first, with the surveyor
covering me from behind until the curves, where she went first and I followed. At
no point did we speak of turning back. The psychologist watching over us might as
well have been thousands of miles away. We were charged with the nervous energy of
knowing there might be some answer below us. A living, breathing answer.
At least, the surveyor may have thought of it in those terms. She couldn’t feel or hear the beating of the walls.
But as we progressed, even I could not see the writer of those words in my mind. All
I could see was what I had seen when I had stared back at the border on our way to
base camp: a fuzzy white blankness. Yet still I knew it could not be human.
Why? For a very good reason—one the surveyor finally noticed another twenty minutes
into our descent.
“There’s something on the floor,” she said.
Yes, there was something on the floor. For a long time now, the steps had been covered
in a kind of residue. I hadn’t stopped to examine it because I hadn’t wanted to unnerve
the surveyor, uncertain if she would ever come to see it. The residue covered a distance
from the edge of the left wall to about two feet from the right wall. This meant it
filled a space on the steps about eight or nine feet wide.
“Let me take a look,” I said, ignoring her quivering finger. I knelt, turning to train
my helmet light on the upper steps behind me. The surveyor walked up to stare over
my shoulder. The residue sparkled with a kind of subdued golden shimmer shot through
with flakes red like dried blood. It seemed partially reflective. I probed it with
a pen.
“It’s slightly viscous, like slime,” I said. “And about half an inch deep over the
steps.”
The overall impression was of something sliding down the stairs.
“What about those marks?” the surveyor asked, leaning forward to point again. She
was whispering, which seemed useless to me, and her voice had a catch in it. But every
time I noticed her becoming more panicky, I found it made me calmer.
I studied the marks for a moment. Sliding, perhaps, or dragged , but slowly enough to reveal much more in the residue left behind. The marks she
had pointed to were oval, and about a foot long by half a foot wide. Six of them were
splayed over the steps, in two rows. A flurry of indentations inside these shapes
resembled the marks left by cilia. About ten inches outside of these tracks,
Erin M. Leaf
Ted Krever
Elizabeth Berg
Dahlia Rose
Beverley Hollowed
Jane Haddam
Void
Charlotte Williams
Dakota Cassidy
Maggie Carpenter