photo of a favorite movie star (which Mother signed); or, as in Heatherâs case, a promised appearance on our upcoming cable show, which of course wouldnât be coming up unless the pilot sold.
âHi, Heather,â I said. âWould you tell Brian Iâm here?â
âSure, Ms. Borne. Shame about Mrs. Sinclair. . . . Whereâs your mother?â
Natural assumption. This was a murder case, wasnât it?
âShe didnât get invited,â I said.
Heather laughed. âBet she loved that!â
As Heather swivelled to a phone, I retreated to a corner chair next to a drooping rubber tree plant. The plantâs continued existence depended on Mother and me administering much needed TLC anytime either of us cooled our heels in the stationâs waiting room.
But I didnât have time to do anything more than remove a few dead leaves before the steel door to the inner sanctum opened and Brian stepped out, wearing a light blue shirt and navy slacks, his chiefâs badge attached to his belt.
In his midthirties, Brian was boyishly handsome, with brown hair and puppy-dog brown eyes.
But those eyes looked more pit-bullish now as he summoned me with a scolding parentâs crooked finger.
I followed him down the familiar beige hallway, where photos of long-ago policemen hung crookedly on the walls (Mother often paused to straighten each one), then was led into one of several small interview rooms.
Hey! It was freezing in there, and the windowless room was claustrophobic, the furniture consisting of two bolted-down metal chairs with a table between.
Brian gestured for me to sit, and my bottom settled onto a chair that was harder than a cement slab.
Letâs hope Mother was wrong about the coffee, at least....
I asked for some, and Brian brought me a Styrofoam cup of black liquid with an oil-slick surface. Yuck! Why hadnât I taken that tote?
Brian settled into the chair opposite me, placed a small recorder on the table, and turned it on. âInterview with Brandy Borne,â he said, followed by the date and time. Then: âWhy were you at the Sinclair residence this afternoon?â
âVanessa called the shop wanting to sell some beer signs.â
âUh-huh. Maybe you should start with the fight you had with her at the swap meet.â
How did he know about that?
I shifted in the uncomfortable chair. âIt wasnât a fight. Just a brief verbal scuffle. A misunderstanding.â
âThat right.â
âThatâs right. She saw me talking to Wes, and jumped to the wrong conclusion.â
âThen youâre not having an affair with Wes Sinclair?â
âWhat? Affair? No! Vanessa apologized when she called me about the beer signs. I think it was a kind of . . . peace offering.â
Brian shut the recorder off, stood, then left the room.
After a few long minutes, he returned and resumed the interview, switching the recorder back on.
âIâve just spoken to Wesley Sinclair,â Brian said, âand he doesnât know anything about selling those beer signs. Furthermore, he said he never agreed to do so.â
Was Wes in one of the other interview rooms? And was he trying to implicate me? Despite how cold it was in there, I began to sweat. Really couldâve used a tissue . . .
A Brian who seemed colder than the cubicle was saying, âVanessa embarrassed you at the swap meet, in front of dozens of people, and you went over there to have it out with her. You just invented the story about the beer signs.â
âNo! Thatâs ridiculous.â
âBrandy, no oneâs saying this was premeditated.â
âPremeditated?â
âYou argued with her and things got out of hand.â
âShe was alive when I left.â
âCan anyone corroborate that?â
âI donât know! No one else was there. Maybe a neighbor? Have you asked?â I pointed to the recorder. âWill you turn that damn
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