care enough to stop and ask, and I would smile and nod as they passed, and then, miracle of miracles, a middle-aged couple would slow as they walked by, pause and look at the display of my books, turn, and approach, and my heart would begin to swell, that someone was actually going to talk to me, and maybe even buy a book, which I would be delighted to sign, to make out personally, even. And the woman would say to me, "Do you know where the washrooms are?"
I actually thought this new book might have a chance. It was a sequel to my first novel, Missionary, a title my publisher really liked because it would make people think that, at some level, it was about fucking, but which was actually about missionaries of the future. Or more precisely, reverse missionaries. The time is several hundred years from now, and religion has been outlawed on Earth. Faith has been overtaken by technology. Computers are God. The missionaries decide to take their message to other worlds, to persuade civilizations deemed more primitive than ours to abandon their beliefs in supernatural beings and embrace the computer chip. Things go badly when our know-it-all Earthlings, in the act of setting ablaze a house of worship on the planet Endar, have the life crushed out of them by a huge hand reaching down from the clouds.
I'm not a particularly religious person, but this book found its way into Christian bookstores as well as the mainstream ones, did reasonably well, and it was that book's success that has kept me going since. It seemed odd to see Missionary in the window of a religious bookshop, displayed alongside God Is My Anchorman, by a noted network news executive, and the collected scripts of Touched by an Angel. The book probably never would have made it there if the shop owners knew my editor thought its title would make people think about fucking. He's not a particularly religious person either, but it was his irreverence that prompted me to tentatively call my new book Position. My second and third books tanked (number two, Slime, was about nasty sewer creatures that pass among us by disguising themselves as cable company executives; and number three, Blown Through Time, about a guy who goes back in time to keep the inventor of the hot-air hand dryer from being born, had real potential, I thought, but went absolutely nowhere), so my decision to revisit my missionaries was an easy one. They seemed my best hope of coming up with another modest hit.
I was in the newspaper business when Missionary came out. I'd started out as a two-way, a reporter-photographer, which meant that most out-of-town assignments went to me. No need to buy two airline tickets for a reporter and a photographer - one seat would do. Although I liked shooting pictures, I grew weary of being on the road so much, and when a position became available at the city hall bureau, I applied. This, as it turned out, was a mistake. I became an expert in everything municipal. I knew all there was to know about planning acts and planning boards and official plans and amendments and amendments to amendments and zoning restrictions and parking enforcement and snow removal and zero-based budgeting, and there were times when I thought I'd like to take a copy of the city's collected bylaws, tie it around my neck, and throw myself off the pier at the foot of Majesty Street. I began to wonder if maybe journalism just wasn't my thing, and I plotted an exit strategy. My first book, written late at night and on weekends, became my way out.
The money from Missionary didn't go as far as I'd hoped, which meant taking the odd freelance assignment. I'd written articles for The Metropolitan (some futurist stuff, where the city would be in fifty years, that kind of thing), some magazine pieces. But with a nonexistent mortgage on the new house, we figured we could manage fairly well on Sarah's income until my next ship came in.
So I worked from home, was there when the kids left for school and when
I actually thought this new book might have a chance. It was a sequel to my first novel, Missionary, a title my publisher really liked because it would make people think that, at some level, it was about fucking, but which was actually about missionaries of the future. Or more precisely, reverse missionaries. The time is several hundred years from now, and religion has been outlawed on Earth. Faith has been overtaken by technology. Computers are God. The missionaries decide to take their message to other worlds, to persuade civilizations deemed more primitive than ours to abandon their beliefs in supernatural beings and embrace the computer chip. Things go badly when our know-it-all Earthlings, in the act of setting ablaze a house of worship on the planet Endar, have the life crushed out of them by a huge hand reaching down from the clouds.
I'm not a particularly religious person, but this book found its way into Christian bookstores as well as the mainstream ones, did reasonably well, and it was that book's success that has kept me going since. It seemed odd to see Missionary in the window of a religious bookshop, displayed alongside God Is My Anchorman, by a noted network news executive, and the collected scripts of Touched by an Angel. The book probably never would have made it there if the shop owners knew my editor thought its title would make people think about fucking. He's not a particularly religious person either, but it was his irreverence that prompted me to tentatively call my new book Position. My second and third books tanked (number two, Slime, was about nasty sewer creatures that pass among us by disguising themselves as cable company executives; and number three, Blown Through Time, about a guy who goes back in time to keep the inventor of the hot-air hand dryer from being born, had real potential, I thought, but went absolutely nowhere), so my decision to revisit my missionaries was an easy one. They seemed my best hope of coming up with another modest hit.
I was in the newspaper business when Missionary came out. I'd started out as a two-way, a reporter-photographer, which meant that most out-of-town assignments went to me. No need to buy two airline tickets for a reporter and a photographer - one seat would do. Although I liked shooting pictures, I grew weary of being on the road so much, and when a position became available at the city hall bureau, I applied. This, as it turned out, was a mistake. I became an expert in everything municipal. I knew all there was to know about planning acts and planning boards and official plans and amendments and amendments to amendments and zoning restrictions and parking enforcement and snow removal and zero-based budgeting, and there were times when I thought I'd like to take a copy of the city's collected bylaws, tie it around my neck, and throw myself off the pier at the foot of Majesty Street. I began to wonder if maybe journalism just wasn't my thing, and I plotted an exit strategy. My first book, written late at night and on weekends, became my way out.
The money from Missionary didn't go as far as I'd hoped, which meant taking the odd freelance assignment. I'd written articles for The Metropolitan (some futurist stuff, where the city would be in fifty years, that kind of thing), some magazine pieces. But with a nonexistent mortgage on the new house, we figured we could manage fairly well on Sarah's income until my next ship came in.
So I worked from home, was there when the kids left for school and when
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