Father?â
âHeâs not well,â the woman snapped.
Sarahâs father didnât seem to care terribly much, but he asked, âWhat kind of not well?â
âYou know what kind.â
âIs he worse?â
Her grandmother didnât answer, just pressed her lips thinly together as if she was trying to stop a secret from inching its way out like a tiny worm.
Sarah shifted back a little, closer to her father. She didnât like this woman or the conversation. It reminded her too much of her motherâs words before she left. All twisted and tangled and full of half things. Perhaps her grandmother had poisoned her grandfather. She looked like the kind of woman who would put arsenic in the soup and tenderly nurse someone to death, spoonful by spoonful. A prickling started up in the corners of Sarahâs eyes. She wanted to scream at her father not to leave her here, but her words were all caught up in her throat and her tongue felt swollen to twice its size.
âI asked if he was worse,â her father said, and there was a strange new deepness to his voice, like an echo under the words, like his throat was thickening all the sounds, roughening the edges. He was starting to sound like a stranger.
Sarah pushed a little sob deep down into her chest. Maybe she could escape. After her father left, she could slip away from the ruined castle and walk until she found a farm or something. People who would understand. Maybe call the police.
And then what? Where would she go? Would the authorities put her in a home filled with other children no one wanted?
Her grandmother squinted, finally peering down to get a good look at Sarahâs face.
Sarah could feel her grandmotherâs breath against her forehead, and she realized that the old woman could hardly see. Her eyes were milky with cataracts. Maybe she could run away after all, if this woman was half blind.
âHmph.â Her grandmother drew back, as if Sarah was something vaguely distasteful. âShe looks normal enough.â
âShe is,â said her father. âSheâs normal. Sheâs not cursed.â But his voice trembled on the last word.
Â
6
THE KEY OF IVORY
THE RUST-COVERED Toyota belched thick smoke into the forest clearing. The engine spat, coughed, and then with a roar, the car lurched away. Sarahâs father didnât even look back at her. He raised one hand in good-bye, and that was that. He dropped it back to the steering wheel almost as soon as heâd lifted it.
Sarah and her grandmother stood silently, watching the woods darken, until the sound of the car was a distant throb. âWastrel,â said her grandmother. âBlackguard.â She sniffed. âHard to believe sometimes that heâs my own true-born son.â
Sarah swallowed away the snot-thick feeling of her unshed tears. âIâm Sarah,â she said in a small voice.
âI know your name, girl.â said her grandmother. âYou will call me Nanna. That is, after all, the kind of thing grandchildren call their beloved grandmothers.â
She was nothing like a beloved grandmother. Instead Sarah was reminded of the ink drawings in her motherâs battered old book of myths. Stern-faced goddesses and Fates. Terrible and strange.
Nanna drew herself straighter and held out one arm to the air. Down from the darkening skies, like a falling comet, came the white raven. It lit on her grandmotherâs arm and bowed, raising its beak. âAnd?â Nanna said.
The raven answered her in human speech. Its voice was high and sweet. âThe little king is past the borderlands now.â It sounded like a woman on the verge of laughing or crying.
âHmph. Good riddance, then.â Nanna twitched her arm. âThe girl,â she said to the raven. âHe called it Sarah.â
Sarah had her mouth half open, staring at the bird, trying to put together the idea that it was making words. Like a
C. E. Martin
Julianne Snow
John Sandford
Paul Shaffer
Livia J. Washburn
Nikki Rittenberry
Stephanie Browning
Lucy King
Frances Watts
Bonnie Dee