everything they wanted in his house by covering up in bed and saying he had
“yellow fever”;
Mary Ann kept them from taking the wardrobe of her deceased daughter by calling out: “Them dead people clothes!” 43
Although the vast majority of slaves welcomed the Union soldiers, albeit with varying degrees of enthusiasm, experience would reveal thattheir “liberators,” like their previous owners, might display moments of kindness, tenderness, generosity, and paternal benevolence but their racial beliefs and temperaments made them at the same time unpredictable and capable of a wide range of conduct. When an Arkansas slave confronted a Yankee who had stolen her quilts, she voiced the frustration of many of her brethren who had experienced a similar betrayal of expectations: “Why, you nasty, stinkin’ rascal. You say you come down here to fight for the niggers, and now you’re stealin’ from ’em.” But the soldier had the final word, aptly summing up his conception of the war and that of thousands of his comrades: “You’re a God Damn liar, I’m fightin’ for $14 a month and the Union.” 44
4
B EFORE ENTERING THE S OUTH , few Yankee soldiers had ever seen so many blacks, such concentrations of them, appearing almost everywhere they marched. The tens of thousands who greeted them along the roadsides, the “contrabands” who flocked to their camps, the refugees who followed their columns, the sullen-looking figures who gazed at them from a distance provided most Union soldiers with their initial view of the “peculiar institution.” It was as if Harriet Beecher Stowe’s characters had suddenly materialized before their very eyes. “I never saw a bunch of them together,” a Wisconsin youth wrote, “but I could pick out an Uncle Tom, a Quimbo, a Sambo, a Chloe, an Eliza or any other character in Uncle Tom’s Cabin.” 45
Although curious about what he would find in the South, the average Union soldier brought with him certain notions about black people, based largely on the racial beliefs and exaggerated caricatures with which he had been inculcated since childhood. His first impressions of the slaves he encountered invariably confirmed and reinforced those caricatures, and the descriptions he provided the folks at home dwelled upon them. If anything, their physical “peculiarities” struck him as even more pronounced than he had imagined; they were “so black that ‘charcoal would make a white mark on them,’ ” their mouths were excessively large, their lips excessively thick, and their noses excessively broad and flat. “They are the genuine Negro here,” a Pennsylvania soldier wrote from South Carolina, “as black as tar and their heels stick out a feet behind.” A New England soldier in Louisiana wrote his brother with a mixture of revulsion and attraction: “If I marry any one at all I believe I’ll marry one of these nigger wenches down here. One that grease runs right off of, one that shines and one that stinks so you can smell her a mile, and then you can have time to get out of the way.” Such disparagements were neither uncommon nor limited to Negrophobes. Even those Yankee soldiers who claimed to be antislavery expressed their amusement at the physical appearance anddemeanor of the enslaved blacks, revealing more about their own backgrounds and biases than about the objects of their sympathy. “There is something irresistibly comical in their appearance,” wrote one such soldier, “they are so black, and their teeth are of such dazzling whiteness, their eyes so laughing and rolling, their clothes so fantastic, and their whole appearance so peculiar.” 46
The Yankees expected to find a degraded, inferior, primitive people, who were at the same time picturesque, comical, indolent, and carefree, always wearing “a happy and contented expression,” displaying their broad grins, touching their hats to the white folks, answering questions politely and humbly. That was the
Glenn Meade
Piers Anthony
Ciji Ware
Janice Kay Johnson
J Jackson Bentley
Fergus Hume
Meg Tilly
Christine Rimmer
Richard Stevenson
Crystal-Rain Love