Big Brother

Big Brother by Lionel Shriver Page B

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Authors: Lionel Shriver
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Häagen-Dazs. Wouldn’t you want your sister to still treat you like the same person? Wouldn’t you feel hurt if her family made fun of you?”
    “Tanner will never get fat!” said Cody. “He’s got to watch his figure so he can keep pawing all over his girl friends.”
    I shot back, “That’s what I thought about my brother.”
    That sobered them up. As we walked back downstairs, Cody dragged on my hand. “I’m sorry,” she whispered. “What I said, I didn’t mean it.” She was close to tears. I assured her with a squeeze that I knew she hadn’t. Prone to self-recrimination, Cody was all too capable of tossing sleeplessly that night, berating herself for having been mean about her uncle even out of his earshot. I’d only ever seen her try to be nasty to impress Tanner, and she was lousy at it. At school, she perennially befriended the social dregs out of compassion, pulling her own mid-level status down several notches in the process.
    We sat down to dinner. Fletcher passed his shrimp dish, in a tangy tomato, zucchini, and eggplant sauce over bars of baked polenta. As a special concession, he allowed the rest of us to spike it with Parmesan. The guest, Edison helped himself first, after which our largest rectangular baking pan was half empty. I took a tiny serving to ensure enough remained for everyone else, and Cody did likewise—unless the totem of excess at the end of the table was putting her off her feed. Me, I still had an appetite, but couldn’t meet my brother’s eyes; simply looking at him felt unkind. So I stole glances when he was occupied with his food, terrified he’d catch me staring—at the rolls of his neck, the gapes between straining buttons on his shirt, the tight, bulging fingers that recalled bratwurst in the skillet just before the skin splits.
    I announced that Cody was studying the piano, and she said she “sucked,” but that she’d be grateful if Edison would give her a few lessons. He acted game—“Sure, kid, no problemo”—but his tone was surprisingly cool, considering that he’d usually jump at the chance to show off. I encouraged Fletcher to show my brother what he was working on in the basement later, though Edison couldn’t come up with anything to ask about cabinetry besides, “What’s the latest project?” (another coffee table) and “What materials?” (though Fletcher was doing some striking work with bleached cow bones, his terse reply was “walnut”). There’s nothing more leaden than this sort of exchange, and awareness that Edison didn’t care about the answers to his lame questions made Fletcher protective and closed.
    Yet Edison grew more animated when I pressed Tanner to tell his step-uncle about his interest in becoming a screenwriter.
    “The feature film industry is a total crapshoot,” Edison advised, rearing back in the recliner. “Half the time when after years of frustration the project’s finally lined up with casting, crew, everything, some douche pulls the money. Most Hollywood screenwriters just do rewrites of other people’s rewrites, and never see a script shot. You should think about TV, man. They get shit out the door. Travis, our dad—I guess you’re sort of related, right? Wouldn’t count on a guy who sells Pocket Fisherman on Nick at Nite to provide you a lot of contacts. But he may still know people who know people, and that’s the way it’s done. Me, I got friends out there who went into the industry, including one guy at HBO. Be glad to put you in touch.”
    If I could have gotten away with it, I’d have been pulling the ridge of a flattened hand across my throat. Tanner’s expectations were already unrealistic. I didn’t want him encouraged.
    “Thanks,” Tanner grunted skeptically.
    “Tanner’s met his step-grampa,” I said. “A cautionary tale.”
    “What’s that mean?”
    “An unpleasant story that should keep you from making the same mistake.”
    “What’s so cautionary about my grampa being a TV

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