Black Hounds of Death by Robert E. Howard

crimson. Jim Braxton’s bullet had found its mark.
    From the first I had felt that she was not wholly human; some black jungle spirit sired her, lending her the abysmal subhuman vitality that made her what she was. She had said that neither death nor Hell could keep her from the Dance of the Skull. And, shot through the heart and dying, she had come through the swamp from the creek where she had received her death-wound to the House of Damballah. And the Dance of the Skull had been her death dance.
    Dazed as a condemned man just granted a reprieve, at first I hardly grasped the meaning of the scene that now unfolded before me.
    The blacks were in a frenzy. In the sudden, and to them inexplicable, death of the sorceress they saw a fearsome portent. They had no way of knowing that she was dying when she entered the glade. To them, their prophetess and priestess had been struck down under their very eyes, by an invisible death. This was magic blacker than Saul Stark’s wizardry — and obviously hostile to them.
    Like fear-maddened cattle they stampeded. Howling, screaming, tearing at one another they blundered through the trees, heading for the neck of land and the shore beyond. Saul Stark stood transfixed, heedless of them as he stared down at the brown girl, dead at last. And suddenly I came to myself, and with my awakened manhood came cold fury and the lust to kill. I drew a gun, and aiming in the uncertain firelight, pulled the trigger. Only a click answered me. The powder in the cap-and-ball pistols was wet.
    Saul Stark lifted his head and licked his lips. The sounds of flight faded in the distance, and he stood alone in the glade. His eyes rolled whitely toward the black woods around him. He bent, grasped the man-like object that lay on the sand, and dragged it into the hut. The instant he vanished I started toward the island, wading through the narrow channels at the lower end. I had almost reached the shore when a mass of driftwood gave way with me and I slid into a deep hole.
    Instantly the water swirled about me, and a head rose beside me; a dim face was close to mine — the face of a Negro — the face of Tunk Bixby . But now it was inhuman; as expressionless and soulless as that of a catfish; the face of a being no longer human, and no longer mindful of its human origin.
    Slimy, misshapen fingers gripped my throat, and I drove my knife into that sagging mouth. The features vanished in a wave of blood; mutely the thing sank out of sight, and I hauled myself up the bank, under the thick bushes.
    Stark had run from his hut, a pistol in his hand. He was staring wildly about, alarmed by the noise he had heard, but I knew he could not see me. His ashy skin glistened with perspiration. He who had ruled by fear was now ruled by fear. He feared the unknown hand that had slain his mistress; feared the Negroes who had fled from him; feared the abysmal swamp which had sheltered him, and the monstrosities he had created. He lifted a weird call that quavered with panic. He called again as only four heads broke the water, but he called in vain.
    But the four heads began to move toward the shore and the man who stood there. He shot them one after another. They made no effort to avoid the bullets. They came straight on, sinking one by one. He had fired six shots before the last head vanished. The shots drowned the sounds of my approach. I was close behind him when he turned at last.
    I know he knew me; recognition flooded his face and fear went with it, at the knowledge that he had a human being to deal with. With a scream he hurled his empty pistol at me and rushed after it with a lifted knife.
    I ducked, parried his lunge and countered with a thrust that bit deep into his ribs. He caught my wrist and I gripped his, and there we strained, breast to breast. His eyes were like a mad dog’s in the starlight, his muscles like steel cords.
    I ground my heel down on his bare foot, crushing the instep. He howled and lost balance, and I