own.
âIacháwanes.â
âIa-chá-wa . . . ,â she tries again.
â. . . nes,â I finish for her.
âIa-chá-wa-nes.â
The little bird bobs,
makes music in his throat.
I remember the two that flew above
the first time we met.
And then it comes to me.
Her wooden bird,
the roughness underneath his beak,
perhaps it is the copper feathers
iacháwanes wears.
I cup my hand,
stroke imaginary wings.
She doesnât follow.
I hook my thumbs together,
make my fingers fly.
Slowly Alis smiles,
pulls the wooden bird from her coverings,
holds it high enough the creatures
seem as though they perch together.
âIacháwanes.
Uncle Samuelâs bird,â she says.
Tears brighten her eyes,
but itâs as if sheâs come alive.
Is this why her bird called me,
wouldnât let me leave it hidden?
For her joy to be restored,
so Iâd awake to happiness.
KIMI
Thereâs so much risk in our meeting.
I think of Chogan,
his arrow drawn.
âBe careful, Alis,â I say,
my hand upon her wrist.
She gazes at me curiously,
tucks the bird inside her coverings.
Is her montoac enough to keep her safe?
Alis
Uncleâs gift to me,
I have received it threefold,
the first in his giving,
the second time from Kimiâs hand,
now today in learning its true name.
I bid her farewell,
skip back toward the village,
reflecting on this perfect day.
I do not see the man
until he stands beside me.
In one sharp instant
yesterday
and the arrow
leap to memory.
Though his hair falls past his shoulders,
he wears a crimson doublet.
âMiss Harvie.â
Now I can breathe.
It is only Manteo.
I reach for the leaves
that surely stick to my hair,
realize it is bound like Kimiâs.
âIt is dangerous for you to be here on your own.â
I tug my hair loose,
plait it hastily,
secure it with my ribbon.
He steps aside to let me pass,
but as he does he whispers:
âIacháwanes.â
The skin tingles on my arms.
I do not hesitate in rushing home.
Alis
My pace has slowed,
but my heart still races.
Manteo knows I was with Kimi.
Will he tell what he has seen?
Near the shed,
Father stands with George,
whom he now trains.
âWe must stay safe,â Fatherâs saying,
âleave before the spring.â
I cannot pass unnoticed.
âWhat are you doing?â Father asks.
âFetching water,â I say,
hoping the words sound true.
âWhere is your bucket?
And why are you so filthy?â
Digging at the wall
has left my hands
smeared with mud.
George studies me knowingly.
âTruly, Alis,
where is your sense?â
I have no answer,
just hasten my steps,
for I must wash,
refresh our pail
before Father arrives home.
Alis
All morning,
all afternoon,
the women bustle about
to make Mrs. Dare comfortable.
I wait near the doorway so as not to be a nuisance.
They bump me,
step around
Tommy and Ambrose playing at my feet,
until Mrs. Archard tells me sharply
to take the children from the cottage.
I skip from the doorway,
the boysâ hands in mine.
Mrs. Dareâs child
means my duties with these little ones
will end after today.
A baby sleeps,
cries for milk,
retires to the cradle.
My work wonât be so taxing.
Perhaps, there will be time
to go to Kimi.
But I think
of Georgeâs certainty
the Indians wait to strike,
how Father talks
of leaving before spring.
KIMI
Since our return
the men
have danced each
evening,
have crafted arrows
at the fireside,
told stories
of victories past.
In this way
they prepare
for attack.
Wanchese says
the English are cruel,
hasty, undisciplined,
slaughtering all before them,
while we
wait for the perfect moment.
We fight
with precision.
I fear for what
this means
for Alis.
We
were able to go
to our mainland village.
But there is nowhere
she
can run.
Alis
Motherâs scream rips me from my
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