condemning myself.
Since Mr. Florrie warned us
of the Croatoan on the shore,
Iâve kept Ambrose and Tommy inside for days.
A bit of sun would do them good.
I lead them to the empty square,
far from the walls.
Surely here weâre safe.
They gather shells,
laugh to watch
them thud or skip
across the ground.
George marches to us,
a musket at his shoulder,
a knife tucked in his breeches.
He sits back on his heels
so he is level with the boys.
âWhen youâre old enough
Iâll teach you
to aim those at the Indians,
shoot them with a musket,
bash in their brains.â
âDonât say such things!â
I press the boys against my skirts,
covering their ears.
George smirks,
his broken tooth catching his lip.
âDo you think the Croatoan
truly have forgiven us,
that the Roanoke donât know
we meant them harm?
Surely both hide in shadow
just outside the village boundaries.â
My heart turns over painfully.
The man I saw this morning.
It is just as George has said.
How long will we be safe?
Days ago,
this boy wept openly.
Now he seeks a chance to strike.
I hope my words will reach the empty part of him.
âYou must miss your father terribly.â
For a flash he is unguarded,
then a steeliness comes over him.
âDonât speak of him again,â he says.
KIMI
Tonight,
after our meal,
the drums begin,
the men approach,
gourd rattles in their hands.
âI saw a girl,â
Chogan says.
âNotched an arrow to frighten her.
She fled like a rabbit.â
Cold grips me.
The men hold their rattles high.
Drums pound in unison,
lead the dancing men.
We are here,
their movements say,
have been since the earthâs beginning.
It is you Englishmen
who donât belong.
Alis
Mother and Mrs. Archard have finished their work early.
The afternoon is mine to do with as I please.
âWhy you choose
the heat outside
is senseless,â Mother says.
She doesnât long to see everything about us,
explore all that is unknown.
But she understands this need in me.
She lets me go.
I am grateful
for what Iâve been offered.
Mother says Iâm free to wander
if I stay near.
I stroll about the village.
I lift my eyes to each station
as I walk beside the earthen wall,
running my hand along its sturdy side.
My fingers find
part of the structure has melted
in last nightâs rain.
The Indian,
his arrow,
they make me hesitate.
But the pull to go to Kimi,
even stronger.
This will be my way out.
Behind me
is a guardhouse.
Before me,
a group of men pass
with boards over their shoulders,
saws in hand.
So as not to draw attention,
I walk farther on,
and once no one is about,
I hurry back,
pray the guards are focused elsewhere,
and plunge my hands
into the wallâs damp softness
until Iâve widened
the space.
I escape.
Alis
âGood day,â I say, when I see her.
Kimi clutches my hand,
touches my forehead,
my heart, with our fingers intertwined.
She slips my shoes upon her feet,
stumbles in them
like one new to walking.
I unwind my plait,
motion to her
to fashion my hair like hers.
Here
I can forget
all else,
I can pretend
this moment
is how things always are.
KIMI
Alis spins about,
arms spread wide,
so like Alawa.
All I shared with my sister,
what Iâve pushed away so long
stirs to life within me,
like an evening breeze,
a bee in search of nectar,
a gushing stream.
I join her dance,
the world a blur of colors,
like the leaves that float at harvest,
the memory of a dream.
Together,
we spin,
fall to the earth in laughter,
leaves clinging to our hair.
KIMI
Her question I do not follow,
but when she lifts her hand,
one finger raised,
I see the bird.
It flies from branch to branch,
as blue as the morning.
âIacháwanes,â I say.
Her lips move.
âIa-chá . . .â
She wants the word
to be her
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